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Jazz Articles about Marcos Cavaleiro
Leo Genovese, Demian Cabaud, Marcos Cavaleiro: Estrellero
by John Ephland
Leo Genovese's piano can sound like an orchestra. It does as much amidst his voluminous solo work on bassist Demian Cabaud's Arbol Negro," his thick chords, the density of his playing full and ripe. From their new trio recording, Estrellero, which also features the light, sympathetic stylings of Marcos Cavaleiro on drums, are five original compositions split between pianist and bassist. The contrast emerges in Genovese's own voice as he marks time with Cabaud's more plodding, abstract pen. ...
read moreXose Miguélez: Contradictio
by Jane Kozhevnikova
After an album of Spanish-flavored original tunes, Ontology (Origin Records, 2019), Galicia-based saxophone Xose Miguélez releases Contradictio. Alongside Miguélez, the album features Jean-Michel Pilc on piano, Carlos Barretto on bass and Marcos Cavaleiro on drums. Both Miguélez and Pilc are listed as the album producers. The forceful energy of this great French pianist comes out in every tune. Unlike Ontology, Contradictio includes several jazz standards. You and the Night and the Music," written by Arthur Schwartz, starts ...
read moreXose Miguelez: Contradictio
by Hrayr Attarian
Galician composer and saxophonist Xose Miguelez has established himself as a mainstay of the international jazz scene. His superb second release as leader, Contradictio, showcases his talents to the full. A taut quartet session, it consists of inventive originals and clever arrangements of standards. Well- versed in bop and his own ethnic music, Miguelez excitingly fuses both traditions. The warm, tense opener Meniña" starts with bassist Carlos Barretto's dramatic refrains. Once the ensemble launches into the main theme ...
read moreCésar Cardoso: Dice of Tenors
by Hrayr Attarian
The captivating and cinematic Dice of Tenors is Portugese saxophonist César Cardoso's fourth release as a leader. Cardoso has brought together an international octet of accomplished musicians for an eight track tribute to six saxophone giants including John Coltrane, Hank Mobley, and Benny Golson. In addition to six standards either penned or popularized by these legendary tenorists, there are two Cardoso originals which are in the same spirit as the covers. Cardoso's haunting Rafaela" is constructed out of ...
read moreCésar Cardoso: Dice of Tenors
by Angelo Leonardi
Cresciuto nella sempre più vivace scena jazzistica portoghese, César Cardoso giunge al quarto disco da leader in dieci anni, il primo in cui guida un organico internazionale con gli statunitensi Miguel Zenon al sax contralto (già ospite nel precedente Interchange di quattro anni fa), il trombettista Jason Palmer, il vibrafonista Jeffery Davis, il trombonista italiano Massimo Morganti, il bassista argentino Demian Cabaud e i connazionali Oscar Graça al pianoforte e Marcos Cavaleiro alla batteria. In questo progetto ...
read moreCesar Cardoso: Dice of Tenors
by Jack Bowers
Dice of Tenors is Portuguese-bred tenor saxophonist Cesar Cardoso's ardent salute to a half-dozen of the world's foremost tenor saxophone masters: Sonny Rollins, Dexter Gordon, John Coltrane, Hank Mobley, Joe Henderson and Benny Golson. To carry out that purpose, Cardoso has convened an admirable octet on which he shares the front line with trumpeter Jason Palmer, alto Miguel Zenon, trombonist Massimo Morganti and vibraphonist Jeffery Davis. The group's hard-working rhythm section consists of pianist Oscar Graca, bassist Demian Cabaud and ...
read moreCésar Cardoso: Dice of Tenors
by Friedrich Kunzmann
Judging solely by the credits and scope of the Portuguese saxophonist César Cardoso's newest undertaking, one could expect a pretty conservative affair. The title of the album sums it up quite adequately. From Benny Golson to Sonny Rollins to Joe Henderson, Cardoso cuts through the oeuvre of some of the most distinguished masters of the tenor saxophone and presents their works in a new light. Of course John Coltrane's Giant Steps" can't be left out of this equation. Sound familiar? ...
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