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Jazz Articles about Per Oddvar Johansen

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Album Review

Espen Berg: Water Fabric

Read "Water Fabric" reviewed by Chris May


The Norwegian pianist and composer Espen Berg has already carved out a formidable reputation with his trio. Earlier in 2023 he began a parallel strand with The Trondheim Concert (NXN), the recording of a wholly in-the-moment improvised solo concert, in the Keith Jarrett tradition, which he gave in 2019. Berg has since released two more albums in the same vein: The Nidaros Concert and The Hamar Concert (both NXN, 2023). Berg is also heard to advantage in ...

9
Album Review

Sigurd Hole: Roraima

Read "Roraima" reviewed by David Bruggink


Norwegian upright bassist Sigurd Hole has stood out in the recent past as both a contributor (with his elegant performance on Tord Gustavsen's 2018 ECM album, The Other Side) and bandleader (through his 2018 Elvesang album Encounters). His solo explorations are equally noteworthy, as on the wide-ranging double album Lys / Mørke (Elvesang, 2020). Recorded on the remote arctic islands of Fleinvær, he thoughtfully probed the relationship between the high-pitched harmonics and drones of his instrument and the spectral winds ...

Album Review

Per Oddvar Johansen: The Quiet Cormorant

Read "The Quiet Cormorant" reviewed by Neri Pollastri


Collaboratore di alcuni dei più importanti musicisti scandinavi—da Trygve Seim a Christian Wallumrød fino alla giovane Mette Henriette—il batterista norvegese Per Oddvar Johansen è qui alla guida di un trio completato dai connazionali Helge Lien al pianoforte e Torben Snekkestad alle ance, che in due brani si allarga a quartetto con l'ingresso della chitarra di Hedvig Mollestad Thomassen, per mettere in scena musica, che ha pensato e composto durante un ritiro sulle solitarie coste nordiche. Il risultato è ...

19
Album Review

Bendik Hofseth: Trunks

Read "Trunks" reviewed by Friedrich Kunzmann


The first from a run of four albums, collectively titled Forest, Norwegian saxophonist Bendik Hofseth's Trunks sets a cozy tone which pairs minimal interplay with echoing acoustics in a modern mainstream jazz light. His sidemen all belong to the Norwegian jazz elite, most of whom have been recording together for years, prominently so for ECM. Hofseth partially dedicates the songs on the record to them. From subtle throw-back fusion to more contemplative aesthetics, the saxophonist's always through-designed compositions are given ...


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