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Jazz Articles about Clark Sommers

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Album Review

Scott Hesse Trio: Intention

Read "Intention" reviewed by Troy Dostert


Guitarist Scott Hesse self-released his debut album, Intuition, in 1998, but he has been criminally under-recorded since then. At least, that is the conclusion many will draw after listening to his superb trio disc, Intention, recorded live in Chicago in 2023. His most recent date as a leader since 2015's The Stillness of Motion (Origin Records), here he is partnered with bassist Clark Sommers and drummer Dana Hall, with an opportunity to showcase his formidable talents in a way sure ...

20
Album Review

Geof Bradfield Quintet: Quaver

Read "Quaver" reviewed by Jack Bowers


While tenor saxophonist Geof Bradfield's versatile Chicago-based quintet does not play “free jazz" on Quaver-- customary rhythmic and harmonic precepts underline every number--the music is explicitly adventurous and forward-looking, as Bradfield and his mates seize every chance to take flight within prescribed boundaries. All the compositions are Bradfield's, and they range from powerful to placid, none of which seems to faze any members of the group, three of whom --Bradfield, bassist Clark Sommers, drummer Dana Hall--have been ...

30
Album Review

Scott Burns / John Wojciechowski / Geof Bradfield: Tenor Time

Read "Tenor Time" reviewed by Jack Bowers


Tenor Time unveils the talents of a trio of Chicago-area tenor saxophonists, each of whom--presumably—solos on each of the album's eight numbers. The qualifier is necessary because the solo order is not given and, skillful as they are, the tenors sound much like triplets at the same workbench. That is to say that in terms of tone, technique and improvisation, they more closely resemble Tweedledee and Tweedledum than, say, Stan Getz, Zoot Sims and Hank Mobley. If ...

7
Album Review

Tito Carrillo: Urbanessence

Read "Urbanessence" reviewed by Paul Rauch


Trumpeter Tito Carillo's second bite of the apple on Origin was more than a decade in the making, following up his outstanding first release, Opening Statement (Origin, 2011). With Urbanessence (Origin, 2022), the Chicago-based artist is truly up to the task, producing a work which is an homage to everyday life in the city. The narrative makes the point that cities are home to creators, visionaries and an army of people who are motivated by the hope they provide. Cities ...

36
Album Review

Tito Carrillo: Urbanessence

Read "Urbanessence" reviewed by Jack Bowers


Urbanessence, the second album as leader from Chicago-area trumpeter, composer and educator Tito Carrillo, is a rhythmic showcase for ten of his buoyant original compositions, all of which embody his love of BAM (Black American Music) and the lyric legacy of Cuba, Puerto Rico, Brazil and Peru. Carrillo, a bold and burnished improviser from the Freddie Hubbard-Lee Morgan-Donald Byrd school of hard bop, shares the front line with the energetic and versatile saxophonist Troy Roberts (who plays ...

4
Album Review

Darrell Grant: The New Black

Read "The New Black" reviewed by Paul Rauch


Pianist Darrell Grant's debut album Black Art (Criss Cross) was released in 1994, and became acclaimed as one of the definitive statements of New York jazz in the 1990s. It featured bassist Christian McBride, drummer Brian Blade, and the late, great Wallace Roney on trumpet—all of whom would go on to make major statements of their own in the music. In 2019, some twenty five years later, Grant had the opportunity to revisit the album repertoire at Birdland, convening bassist ...

27
Album Review

Darren Johnston: Life in Time

Read "Life in Time" reviewed by Jack Bowers


Brooklyn-based trumpeter Darren Johnston traveled to Chicago in May 2021 to record Life in Time with three of his favorite musicians: saxophonist Geof Bradfield, bassist Clark Sommers and drummer Dana Hall who form their own working trio in the Windy City. The generally charming studio date encompasses ten original compositions, six by Johnston, four by Bradfield. Technically and musically, the foursome is splendid. What is missing—and it takes a tune or two to sink in—is the welcome ...


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