Jazz Articles about Fima Ephron

Fima Ephron: Hasidic Folk Song

by Mike Jacobs
November 29, 2023

Nate Smith: Kinfolk 2: See The Birds

by Mark Corroto
September 10, 2021

If there were brick & mortar establishments called record stores today, one could imagine the challenge Nate Smith's Kinfolk projects would pose for an employee trying to file his latest releases. Those familiar with the drummer's work in the bands of Chris Potter, Dave Holland, or Alex Sipiagin might place the discs in the jazz section, but then again he's worked with the jazz/pop/soul singers José James and Norah Jones and he heads up the funk/soul band The Fearless Flyers. ...

Sunrise Falling: Gene Ess

by Phil DiPietro
February 12, 2004

Gene Ess Sunrise Falling Amp Records 2003

Even if you knew who Gene Shimosato was, you're still going to be surprised when you hear Gene Ess! Fans of electronic music and fusion will be most pleasantly surprised with Sunrise Falling. Ess lays it on thick with the aural fruits from expert tinkering with his self-built, PC-based studio and tweaked-out tones produced from a diverse arsenal of axes. An absolutely world-class core rhythm tandem of ...

Fima Ephron: Soul Machine

by Glenn Astarita
December 1, 2001

Bassist Fima Ephron is well-known for his affiliation with many of the musicians who comprise New York City's fertile and generally investigative Downtown Scene. Ephron's participation with the excellent band Lost Tribe, amid recent collaborations with electric guitar hero David “Fuze" Fiuczynski, signifies only a few of his endeavors besides enjoying first call status as a session musician. With his debut release, the artist enlists support from his Lost Tribe band-mates, saxophonist David Binney and guitarist Adam Rogers. However, keyboardist ...

Lost Tribe: Many Lifetimes

by John W. Patterson
February 1, 1999

It is good to hear more of this phenomenal jazz unit. From their debut self-titled release in 1992 to Soulfish in 1993 it was pure ecstasy for me to try to keep up with all this band's hyper-kinetic twists and turns. They could Coltrane soothe, they could play heavy metallic fusion, they would rap to jazz, they got speed funky, and even strains of Mahavishnu Orchestra could be detected. But first and foremost Lost Tribe was avant-garde cutting edge jazz. ...

Lost Tribe: Many Lifetimes

by AAJ Staff
December 1, 1998

It is good to hear more of this phenomenal jazz unit. From their debut self-titled release in 1992 to Soulfish in 1993 it was pure ecstasy for me to try to keep up with all this band's hyper-kinetic twists and turns. They could Coltrane soothe, they could play heavy metallic fusion, they would rap to jazz, they got speed funky, and even strains of Mahavishnu Orchestra could be detected. But first and foremost Lost Tribe was avant-garde cutting edge jazz. ...