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Cennet J: Jazzman
by John Kelman
The pervasiveness of the internet for marginalized genres like jazz is a double-edged sword. Good, because a multitude of artists from smaller countries, who would not normally find their way into the ears of listeners abroad, can gain broader exposure. Bad, because that same multitude of artists exist in a far larger playing field where their talents can end up being overwhelmed by the sheer number of fine artists out there. Such is the case with Swedish saxophonist Cennet Jönsson, ...
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