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Bernardo Sassetti: The Pianist Who Danced With Silence
by Nathalie Tamara Freson
If a musician's degree of brilliance is measured by the emotions they awakens in his listeners, then Bernardo Sassetti was a genius. And that he certainly was. With a prolific career (which resulted in a discography and filmography of close to 30 CDs), Sassetti spent the first few years playing alongside illustrious figures of the jazz world, such as Freddie Hubbard, Paquito D'Rivera and Guy Barker, the latter with with whom he collaborated intensively (on albums such as ...
read moreBernardo Sassetti Trio: Culturgest 2007
by Mark Corroto
Many listeners were introduced to the pianist Bernardo Sassetti by the record label Clean Feed, which built its early reputation on his recordings. The releases Nocturno (2004), Indigo (2004), Ascent (2005), Unreal: Sidewalk Cartoon (2006), and Motion (2010) are true evergreens. His untimely accidental death in 2012 (like that of Esbjörn Svensson in 2008) was a shock to Sassetti's many supporters. A decade on, a 2007 concert performance by Sassetti and his longtime trio of bassist Carlos Barretto ...
read moreBernardo SassettiTrio: Motion
by Mark Corroto
Quite often, when hearing compositions by pianist Bernardo Sassetti, it's easy to mistake him for an American. His folksy charm has that Aaron Copland-meets-Bill Frisell kind of Americana. But no, this huge talent is Portugal's own son.
He is back again in a trio setting with bassist Carlos Barretto and drummer Alexandre Frazão. The three recorded Sassetti's critically acclaimed Nocturno (Clean Feed, 2001) and Ascent (Clean Feed, 2005). But Sassetti can also be heard in accordionist Wil Holshouser's ...
read moreBernardo Sassetti: Ascent
by Mark Corroto
I am often a music fanatic before I'm a reviewer. Note to self: read the liner notes of the CDs to which you listen. With apologies to those who always begin with the notes, I tore open the latest by Lisbon-born pianist Bernardo Sassetti, popped it in the player, and gave it a listen or three.
My brain kept registering the music as a soundtrack to some movie. I neglected to verify that Sassetti did in fact combine ...
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