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Jazz Articles about Keita Ogawa
Jamie Baum Septet+: What Times Are These
by Katchie Cartwright
Reading Marge Piercy's poem “To Be of Use" (track two onWhat Times Are These), Jamie Baum could be speaking of herself, one of those “who jump into work head first without dallying in the shadows, who swim off with sure strokes," knowing that “the thing worth doing has a shape that satisfies, clean and evident." What Times Are These is a satisfying form of this sort. Confined to her New York apartment during the Covid-19 lockdown, Baum responded ...
read moreBrock, Lanzetti, Ogawa: Drawing Songs
by Mike Jacobs
Encountering new additions to the Snarky Puppy musical diaspora is always interesting. Some members' solo efforts are more direct stylistic offshoots of the mother band while others branch out in very different directions, but it is a safe bet that they will showcase the musicianship which got them into the burgeoning collective in the first place. Drawing Songs, by long-time SP bandmates Zach Brock, Bob Lanzetti and Keita Ogawa, is one of these which is a refreshing musical ...
read moreDavid Lopato: Short Stories
by Jack Bowers
Short Stories, pianist and composer David Lopato's seventh album, is for the most part modern in the best sense of the word. Lopato's musical influences are wide, ranging from jazz, blues and rock to avant-garde and free improvisation while embracing themes from Africa, Latin America and Asia--most notably Indonesia where he spent a year on a Fulbright scholarship learning to play the Javanese gamelan. Even when fusing these diverse bonds into a single vision, however, Lopato seldom strays from the ...
read moreBokante: History
by Chris May
Snarky Puppy leader Michael League does not like the band being called a jazz ensemble. He describes it as a “a pop band that improvises a lot, without vocals." But anyone listening to jazz through the aural equivalent of a wide-angle lens would likely keep Snarky Puppy in the picture. League's spin-off group Bokante improvises little and has vocals front and centre. The connection with jazz is more tenuous. Bokante could be called a “world music" group ...
read moreJussi Reijonen: Three Seconds | Kolme Toista
by Neri Pollastri
Disco tanto sorprendente, quanto interessante, questo Three Seconds | Kolme Toista è la narrazione musicale di un vero e proprio viaggio interiore fatto dal suo autore, il chitarrista Jussi Reijonen. Nato a Rovaniemi, nel nord della Finlandia, Reijonen è però cresciuto prima ad Amman (Giordania), poi a Dar es Salaam (Tanzania), Muscat (Oman) e Beirut (Libano), per approdare da adulto negli Stati Uniti, a Boston e infine a New York, dove nel 2011 ha pubblicato il suo primo, ...
read moreJussi Reijonen: Three Seconds | Kolme Toista
by Karl Ackermann
East/West jazz fusion has a long presence on the U.S. jazz scene and that foothold has been growing in the 2000s. Composer/guitarist/oud player Jussi Reijonen is uniquely qualified to bridge musical cultures. Nordic by birth, he has lived in the Middle East, Africa, and the U.S., absorbing native music at each stop. Reijonen's solo debut, Un (Self Produced, 2012), paved the way for Three Seconds | Kolme Toista. The acclaimed debut album incorporated global influences but in a melodic haze. ...
read moreSnarky Puppy: Empire Central
by Angelo Leonardi
A diciotto anni dalla nascita, gli Snarky Puppy sono tornati a Dallas —luogo d'origine della formazione— per registrare un nuovo album scegliendo l'approccio preferito: quel “live in the studio" con pubblico in sala che ha caratterizzato le loro opere migliori. Quindi otto notti alla Deep Ellum Art Company per mettere a punto 16 nuovi brani, ora pubblicati in doppio album, in triplo vinile. Il disco privilegia il ritorno ai valori musicali originari: una fusion ...
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