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Jazz Articles about Johnny Hunter

8
Album Review

Johnny Hunter / Mark Hanslip / Olie Brice: Divisions

Read "Divisions" reviewed by John Sharpe


Divisions might seem a strange choice of title for such a cohesive set. It is the name of a four-part suite written by drummer Johnny Hunter for this all British trio completed by bassist Olie Brice and tenor saxophonist Mark Hanslip. As well as his own dates, such as Pale Blue Dot (Northern Contemporary, 2020) for string quartet, sax and drums, Hunter also stokes the fires of Cath Roberts' Sloth Racket and the collective Spinningwork (NEWJAiM, 202z). Perhaps the divide ...

3
Album Review

Adam Fairhall / Johnny Hunter: Winifred Atwell Revisited

Read "Winifred Atwell Revisited" reviewed by Chris May


Winifred Atwell was a gifted pianist, born in Trinidad, who came to Britain to study classical music at the Royal Academy of Music in 1946. By the early 1950s, a combination of talent and a husband who knew his way around British popular entertainment had established Atwell as a bill-topping theatrical and recording star. Atwell's happy-go-lucky “honky tonk" style was a combination of American boogie woogie, which she had picked up from US servicemen in Trinidad, and ...

7
Album Review

MoonMot: Going Down The Well

Read "Going Down The Well" reviewed by Bruce Lindsay


Six musicians from the UK and Switzerland, with a strong background in improvisation and a talent for mixing acoustic and electronic instrumentation, creating tunes which move from the gentle, Rhodes-led, intro to “35 Years" and the bass-sax interplay which opens “Threnody Of The English Polity" to the raucous baritone sax of the title track—that is MoonMot on Going Down The Well. The sextet formed in 2017 when saxophonists Dee Byrne (Entropi, Deemer) and Cath Roberts (Sloth Racket, Favourite ...

64
Album Review

Ron Caines - Martin Archer Axis: Les Oiseaux de Matisse

Read "Les Oiseaux de Matisse" reviewed by Glenn Astarita


The founder of this UK-based label, reedman/multi-instrumentalist Martin Archer and many of his longtime or more recent cohorts radiate a seemingly eternal sphere of invention. Other than ongoing projects with specific artists or ensembles, no two albums are distinctly alike. Hence, the element of surprise is a recurring element. Here, Archer and saxophonist Ron Caines co-lead the septet for a multidimensional jazz-tinged bash amid colorific textures, pulsating free-form sprees, quaint oddities and other captivating attributes throughout the 77-minute runtime.


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