Over the years, I've become weaned on expecting the unexpected from this avant-garde U.K.-based record label. The Army of Briars is an utterly delightful and modernized spin on British folk music. Furthering time-honored concepts set forth by Pentangle and other eminent British folk entities, this outing presents Keith Jafrates' dream-swept lyrics, with vocals by Julie and Tim Cole. However, instrumentalists performing electric bass, violin, bass flute, laptops and a brass quintet provide the contemporary edge here.
Cole's angelic vocalizations are supplanted by subtle hints of world music and effects-driven existential backdrops, yet each piece carries its weight via divergent aspects. But nothing gets out of hand or becomes orchestrated into oblivion, with the brass quintet enamoring a blissful musical terrain on "A Lesson. While saxophonist/keyboardist Martin Archer adorns some of these works with silvery linings, the inherent attributes of this program vary slightly. Tim Cole, on guitar and keyboards, also engages in beautiful harmonies with his better-half, atop various underpinnings. The ensemble also incorporates subliminal aspects of classic progressive rock into its stately themes. Chalk it all up to a sequence of compositions that rather uncannily morph into a wondrously envisioned project which makes uncommonly perfect sense.
Track Listing: To fall; Four Riddles; Mist on the barrows; The deep park; A Lesson; Hunting stone and light; Who but I ate the fruit of your lips; I traveled north to hide; On nine barrow down; Where the blue goes dark and birdless; Gatherer of excited moons.
Personnel: Tim Cole: guitar, keys; Julie Cole: voice; Keith Jafrate; words: Martin Archer
woodwind, keys, laptop. Mike Ward: bass flute; Julian Cole: electric violin; Terry Todd: fretless bass; Brass Quintet; Toni Howden, Richard Shaw, James Parkinson; Danny Brooks and Matthew Mills.
I love jazz because it is in my blood. It is the only original American art form. It is sacred. The greatest musicians are jazz artists.
I was first exposed to jazz in 1961 listening to my father's records of Duke Ellington, Billy Strayhorn, Count Basie, Nat King Cole, Ben Webster, Coleman Hawkins, Lester Young.
I met Sonny Stitt, Wayne Shorter, Branford Marsalis, Joey Calderazzo, Michael Brecker, Cannonball Adderley, Walter Booker, Dave Liebman, Joe Lovano, George Benson, Mike
Stern, Stanley Turrentine, Billy Harper, Skip Hadden, Charlie Haden.
The best show I ever attended was Joe Lovano with Soundprints at the Wexner Center in Columbus Ohio in 2014.
The first jazz record I bought was Miles Smiles.