All About Jazz

Home » Articles » CD/LP/Track Review

126

Extraordinary Popular Delusions: Apocryphal Fire in the Warehouse, and Other Explanations

Mark Corroto By

Sign in to view read count
The hit-and-miss improvisation of Extraordinary Popular Delusions has to be admired. The quartet's instant composing (or group improvisation) often begins like a psychodynamic free association, with the players relaying whatever comes into their minds. This music making without the censorship of preplanning or forethought can yield gems or germs.

EPD band, whose previous release was Extraordinary Popular Delusions (Okka, 2007), has the advantage here in its free associations. The group has held a weekly gig in Chicago for the past six years to refine its on-the-spot music- making. The music is born out of saxophonist Mars Williams, bassist Brian Sandstrom and drummer Steve Hunter's early experience with Hal Russell's NRG Ensemble and the new Chicago wave of improvisers. Baker's unique sound has been heard in the celebrated Caffeine Trio and in Ken Vandermark's Territory Band.

Apocryphal Fire in the Warehouse, and Other Explanations leaves no doubt that this is a bar band, but a free improvising bar band that can jump into a mash- up of noise like "Contention; (Or: Scattered Amidst The Scattergrams)," with Sandstrom walking his bass over some electronic plinks and plunks until Williams decides to tear the house down via his tenor saxophone chainsaw. The band responds with its own turmoil, the bassist sawing a girl in half and Hunt working the cymbals. That electronic experimentation is heard on several other tracks with Sandstrom switching to electric guitar. Sometimes the band favors no rhythm, other times the pulse is carried by the hesitation of thought. When things go unplugged, as on "Screen Door Slam," the acoustic sound is reminiscent of Matthew Shipp or Marilyn Crispell. The quartet plays with great energy, and without compunctions: don't like this turn, they'll move on to something completely different—and soon.

Track Listing: Cold Child, With Fedora; Treadmill To Obliviousness; Screen Door Slam; Apocryphal Fire In The Warehouse, And Other Explanations; Juneteenth Transliterated Into Ideograms; ...Except These Wood-Nymphs Are Made Of Styrofoam...; Contention; (Or: Scattered Amidst The Scattergrams); "He Kept In Touch With The Sea By Telephone."

Personnel: Mars Williams: saxophones, zither, miscellania; Brian Sandstrom: bass, electric guitar; Steve Hunt: drums, percussion; Jim Baker: synthesizer, electric guitar, acoustic guitar.

Title: Apocryphal Fire In The Warehouse, And Other Explanations | Year Released: 2011 | Record Label: Harmonic Convergence

Tags

comments powered by Disqus

Related Articles

Read Murals CD/LP/Track Review
Murals
by Dan McClenaghan
Published: May 20, 2018
Read Cosmic Language CD/LP/Track Review
Cosmic Language
by Chris May
Published: May 20, 2018
Read More Songs About Error And Shame CD/LP/Track Review
More Songs About Error And Shame
by Friedrich Kunzmann
Published: May 20, 2018
Read Jubilation! Celebrating Cannonball Adderley CD/LP/Track Review
Jubilation! Celebrating Cannonball Adderley
by Glenn Astarita
Published: May 20, 2018
Read Earth CD/LP/Track Review
Earth
by Chris May
Published: May 20, 2018
Read Vegir CD/LP/Track Review
Vegir
by Mark Sullivan
Published: May 19, 2018
Read "In the Still of the Night" CD/LP/Track Review In the Still of the Night
by Nicholas F. Mondello
Published: May 22, 2017
Read "Tempe Jetz" CD/LP/Track Review Tempe Jetz
by Glenn Astarita
Published: September 11, 2017
Read "Saturday Night Dogs" CD/LP/Track Review Saturday Night Dogs
by Joe Gatto
Published: November 30, 2017
Read "Never Bet The Devil Your Head" CD/LP/Track Review Never Bet The Devil Your Head
by Don Phipps
Published: April 2, 2018
Read "Scarlett Roses" CD/LP/Track Review Scarlett Roses
by Doug Collette
Published: November 26, 2017
Read "The Romeo and Juliet Project" CD/LP/Track Review The Romeo and Juliet Project
by Jack Bowers
Published: June 23, 2017