While there are many interesting sounds on Anvils and Broken Bells, this release from Chicago-based improviser AJ Kluth (credited to his ensemble ALDRIC), they do not necessarily add up to an entirely compelling work.
Kluth and his crew do conjure up some seductive ambiance, with their arsenal of horns, guitars and effects machines. Guitarist Toby Summerfield capably offers a diversity of tones, if not approaches. The moments when Kluth switches to melodica are especially tasty, as in the interplay between the leader, Summerfield and drummer Quin Kirchner on "Saskatoon."
That said, this record never seems to offer more than a sum of the parts that came before it. There are hints of the Miles Davis of In A Silent Way (Columbia, 1969), but also a heavy dose of late period Ronald Shannon Jackson. Never as bombastic or assertive as Jackson, many of the improvisations nonetheless reference his post-Decoding Society work of the early 1990s, especially the criminally neglected Red Warrior (Axiom, 1990).
There is much to enjoy about Anvils and Broken Bells, and it certainly has its merits as a chill out, end-of-the-evening record, but those looking for a little more heft in their improvisational excursions might be better served elsewhere.
Track Listing: I Am Wearing A Velvet Jacket; Bluebeard Believes; Pauls on Pauls; Saskatoon; Trio Trois; Jerzy; Chunkton; Twilight.
Personnel: AJ Kluth: tenor saxophone, melodica, effects; James Davis: trumpet, effects; Toby Summerfield: electric guitar, many buttons and knobs; Dan Thatcher: electric bass; Quin Kirchner: drums and cymbals.
I grew up listening to my father's Jazz records and listening to radio. My dad was a musician for many years as a vocalist, bassist and drummer. His two uncles played in the Symphony of Reggio Calabria back in Italy
I grew up listening to my father's Jazz records and listening to radio. My dad was a musician for many years as a vocalist, bassist and drummer. His two uncles played in the Symphony of Reggio Calabria back in Italy. So music and jazz specifically have been a part of me since I was born. I love and perform in all styles of music from around the world. Improvisation in jazz is what drew me in, and still does as well as other genres that feature improvisation. A group of great musicians expressing themselves as one is the hallmark of great jazz and in fact all great music.