Support All About Jazz

All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.


I want to help
249

Joe McPhee: Alto

Lyn Horton By

Sign in to view read count Views
Joe McPhee: Alto It takes a certain amount of confidence for a musician to stand alone on a stage or in a recording studio and play an instrument. One of the few masters of jazz reed instruments, Joe McPhee still proceeds to make music as if for the first time. He is a master of the instruments he plays because, like an athlete, he maintains the physical chops as well as an openness to the application of the musical vocabulary he has cultivated over time.

Released in a limited edition of 524 copies, McPhee's Alto can be seen as an instrumental follow-through to Tenor (hatHUT, 1976) and Soprano (Roaratorio, 2007). The music was recorded at a live performance on May 4, 2009, at Local 269, a small club on the Lower East Side of New York City. And, for this performance, he chose to play two instruments rather than one: the alto sax and alto clarinet.

Four of the disc's five tracks are dedicated by McPhee to an artist; each corresponding to their character. A tribute to the mystically figurative visual artist Alton Pickens, "Lower East Side Shout," displays an ever-changing palette of alto colors, lacking no abstract portrayal of the alto saxophone's exceptional range of sound possibilities. The same display holds forth in "W.I.S.," for drummer Warren Smith. Here, McPhee begins the piece by tapping the key pads at the base of the alto to simulate, perhaps, the way Smith would start a pulse on his kit, before McPhee launches into an arpeggio exploration that expands and contracts from low to high on the alto's register. A poet himself, McPhee uses the alto clarinet to embrace, in measured subtlety, the idea of the deep essences behind verbal expression, even when speaking through the instrument in "Soul Of A Poet," dedicated to poet Steve Dalachinsky. The closing "Taking the V Train" is McPhee's angular alto view of the Duke Ellington classic, where his phrasing dilates and strikes sparks in the thematic content of the original.

McPhee's "Old Eyes," for Ornette Coleman, first appeared on Old Eyes and Mysteries (Hat Art) in 1979. In the liner notes of that release, McPhee explains the title as "a term I once heard a psychic use to describe someone who carried the look of ages of past traditions." Just as Coleman brought the alto from its past life to free-spirited "contemporary" jazz, so McPhee takes it even further, borrowing from the tradition Coleman established. Indeed, the mindful strides which hold to tradition but advance it into innovative territory have no boundary except the past. The past is only an associative mechanism for McPhee's music; the past has given him the gift of sound. His infinitely circular breath and digital dexterity reopens that gift every time he blows. Alto realizes uncountable details of the language he continues to uncover, whether or not those details plump up muscular abstractions or ornamentally twist the skeletons of old tunes.


Track Listing: Lower East Side Shout (for Alton Pickens); Old Eyes (for Ornette Coleman); W.I.S. (for Warren Smith); Soul Of A Poet (for Steve Dalachinsky); Take the V Train.

Personnel: Joe McPhee: alto sax, alto clarinet.

Year Released: 2009 | Record Label: Roaratorio Records | Style: Free Improv/Avant-Garde


Related Video

Shop For Jazz

CD/LP/Track Review
General Articles
CD/LP/Track Review
Read more articles
Spontaneous Combustion
Spontaneous Combustion
OTOrocku
2015
buy
Ticonderoga
Ticonderoga
Clean Feed Records
2015
buy
Solos : The Lost Tapes (1980 – 1981 – 1984)
Solos : The Lost...
Roaratorio Records
2015
buy
[no cover]
The CjR Years...
Kedar Entertainment Group
2014
buy
[no cover]
Red Sky
Kedar Entertainment Group
2013
buy
Human Encore
Human Encore
Clean Feed Records
2013
buy
Enrico Rava Enrico Rava
trumpet
Cecil Taylor Cecil Taylor
piano
Albert Ayler Albert Ayler
sax, tenor
Evan Parker Evan Parker
sax, tenor
Steve Lacy Steve Lacy
sax, soprano
Pharoah Sanders Pharoah Sanders
saxophone
Ken Vandermark Ken Vandermark
saxophone

Post a comment

comments powered by Disqus

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.