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Guitarist Kareem Roustom was born in Damascus, Syria to American and Syrian parents; on Almitra's Question he and the El-Zafeer Ensemble make music that blends American jazz with Arabic sounds. The rhythm patterns and the distinctive percussion (riqq and daff) lend an exotic and crisply declamatory backdrop to Roustom's lush accoustic guitar playing and violinist Hanna Khoury's sweetly sinuous lines. Exotic, mysteriousespecially to an ear (like this reviewer's) that hasn't listened to much of the music from the East.
Spirituality always seems an underlying theme. The group plays the ever-spiritual John Coltrane tune "Naima" and Oliver Messiaen's "O Sacrum Convivium," along with four Roustom originals; and even his prosaically named "Burnt Onions" seems suffused with a gentle, ecstatic soulfulness.
The set has a cohesive, collaborative feel, with violin and guitar sharing the space like dancers, a sort of Django/Grappelli sound with a softer and more lilting tone, leaning eastward; or like something you might hear from an acoustic Bill Frisell, if he were to immerse himself in Arabic sounds.
To this ear Almitra's Question has charmingly simple, accoustic atmosphere, similar tothough rhythmically different fromflamenco.
Track Listing: Sandstorm, Naima, Almitras' Question, O Sacrum Convivium, Burnt Onions, Salwa's Last Dance
Personnel: Kareem Roustom--guitar; Hanna Khoury--violin; Danny Dunlap--bass; Catherine Alexander--percussion (riqq & daff); Souhail Kaspar--percussion (riqq & tabla); Karim Nagi Mohammed--percussion (riqq & daff); Fernando Huergo--bass; Ronit Kirchman--additional violins on "O Sacrum Convivium"
As a kid, my mom told me I'd like jazz. I thought she was nuts. Then I went to hear Cannonball Adderley (with Nat Adderley, George Duke, Walter Booker, Roy McCurdy and Airto) and everything changed. Yeah, mom knows best.