334

Jovino Santos Neto: Alma do Nordeste (Soul of the Northeast)

By

Sign in to view read count
Jovino Santos Neto: Alma do Nordeste (Soul of the Northeast) Great composers take their listeners past the simple execution of traditional form; instead they vividly describe their subject matter. Musical building blocks like tempo, texture, and dynamics shape mood and guide the listener's feelings. Cultural instruments reference specific countries. Creative interpretation adds perspective and displays the subject through the composer's eyes. Personal expression invites creative interpretations of the musician's opinions. Jovino Santos Neto brings all these pieces together into a striking set of compositions that describe the Northeastern region of Brazil on Alma do Nordeste (Soul of the Northeast).

Neto introduces unique compositional techniques to add depth and direction to several songs. A rubato flute conversation between Neto and Carlos Malta opens "Alma do Nordeste," leading into an exotic melody. They expand their thoughts into a collective improvisation and then guide the main theme through 6/8 and double time. Ambient sounds from the Pernambuco region introduce "Passareio," slowly transitioning into a 31-beat cycle performed by Brazilian percussion. The song avoids traditional melodic conventions, relying upon free improvisation that instigates imagery of birds. Bold compositional shifts outside Brazilian music norms help the listener build diverse imagery and capture new meanings.

Neto utilizes the Northeastern styles of forró and xote to capture the region's spirit and culture. Toninho Ferragutti displays the accordion's strong expressive abilities on the bluesy melody to "Saudade de Sua Gente." The xote rhythm's inherent swing frees Neto to include traditional jazz phrasing, while Ferragutti utilizes quick chromatic runs. Tiago da Serrinha's pandiero pushes "Forró Vino" through a series of band breaks under Marcelo Martins' tenor sax melody. Moving melodic sequences build Martins' solo into an assertive statement, and drummer Marcio Bahia tastefully develops a solo around band hits. Neto's creative interpretation of xote and forró adds the authentic touch of Northeastern Brazil's musical genres.

Neto interprets the Northeastern baião rhythm in several different ways in order to express his vision. Saxophonist Eduardo Neves, Martins, and Neto explore the possibilities of a baião in 3/4 on the main theme to "São Pedro na Jangada." The group highlights the unique rhythm with a percussion feature, before Bahia fills around horn breaks. Ferragutti's polyrhythmic playing over a 7/4 baião creates an energetic introduction on "Festa na Macuca." Martins and Ferragutti exchange exciting solo ideas until Neto's inspired improvisation engages Bahia in spontaneous accents. Neto's creative manipulation of the baião helps him invoke specific ideas from the music.

Neto creates bold sonic imagery of Northeastern Brazil on Alma do Nordeste (Soul of the Northeast), employing diverse compositional tools to paint a strong picture. His use of Northeastern rhythms makes an authentic cultural connection. Neto's experimentations with time signature, texture, and instrumentation color the music and further focus his concept. The individual musicians invest significantenergy into Neto's concept, while strongly inserting their personal voices. Neto pulls thoughtful craftsmanship, stylistic knowledge, and expansive musicianship into his compositions on Alma do Nordeste (Soul of the Northeast), vividly bringing the culture of Northeastern Brazil to life.

Track Listing: Festa na Macuca; Saudade de Sua Gente; Amoreira; Passareio; S

Personnel: Jovino Santos Neto: piano, melodica (3, 5), fifes (4), flute (8), ambient sounds (4); Toninho Ferragutti: accordion (1, 2, 13); Gabriel Grossi: harmonica (6, 9); Carlos Malta: flute (8), fifes (4); Eduardo Neves: soprano sax (3, 5), tenor sax (5), flute (13); Marcelo Martins: flute (1, 6), soprano sax (7, 11, 12), tenor sax (10, 13); Josemen Honaine: 10-string guitar (6, 8, 13); Dudu Lima: acoustic bass (1, 3, 6, 7, 9), electric bass (2, 5, 8, 10-13); Marcio Bahia: drums (1, 3, 5-7, 9-13), snare (1); Tiago da Serrinha: triangle (1, 2, 5, 6, 8, 9, 11, 13), acxixi (1, 4, 5), gongu

Year Released: 2008 | Record Label: Adventure Music | Style: Latin/World


Shop

More Articles

Read Nightfall CD/LP/Track Review Nightfall
by John Kelman
Published: May 22, 2017
Read Pekka CD/LP/Track Review Pekka
by Roger Farbey
Published: May 22, 2017
Read In the Still of the Night CD/LP/Track Review In the Still of the Night
by Nicholas F. Mondello
Published: May 22, 2017
Read Zea CD/LP/Track Review Zea
by Glenn Astarita
Published: May 22, 2017
Read Asian Fields Variations CD/LP/Track Review Asian Fields Variations
by John Kelman
Published: May 21, 2017
Read Left Right Left CD/LP/Track Review Left Right Left
by Dan McClenaghan
Published: May 21, 2017
Read "Beatrice" CD/LP/Track Review Beatrice
by Jack Bowers
Published: May 13, 2017
Read "Beatbox Sax" CD/LP/Track Review Beatbox Sax
by Dan McClenaghan
Published: September 18, 2016
Read "LifeCycle" CD/LP/Track Review LifeCycle
by Dan Bilawsky
Published: April 23, 2017
Read "Eos" CD/LP/Track Review Eos
by Karl Ackermann
Published: February 28, 2017
Read "Classic! Live at Newport" CD/LP/Track Review Classic! Live at Newport
by Dan Bilawsky
Published: July 8, 2016
Read "OWT" CD/LP/Track Review OWT
by John Sharpe
Published: September 18, 2016

Post a comment

comments powered by Disqus

Why wait?

Support All About Jazz and we'll deliver exclusive content, hide ads, and provide read access to our future articles.