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No one will be able to sleep all through this night, a collection of bright, swinging performances from this gifted Rochester trio, whose long and happy association is evident in their relaxed, empathic interplay. Here, guitarist Bob Sneider, bassist Phil Flanigan and drummer Mike Melito are joined by a stellar guest roster, creating a pleasing balance between the five trio and six quartet tracks. It's a solid and spirited session that includes some lesser-known tunes by Jackie McLean and Billy Higgins as well as a buffet of old favorites, all beautifully rendered.
Aside from its consistently high level of musicianship, what makes this CD especially noteworthy is its light-hearted wit. Hear, for example, the way these guys rock "You and the Night and the Music, with Melito dancing on the rim and a bounty of fine solos all around. (Question: Why doesn't trumpeter John Sneider record more?) Equally delightful are "Baby Won't You Please Say Yes, "Love for Sale, and the bluesy little closer: Barney Kessel's "Be Deedle De Do. Part of the fun is catching all the quotes, which are subtly woven rather than sledge-hammered in.
All told, All Through the Night is a bunch of good friends having fun, and it's contagious. A great ride.
Track Listing: All Through the Night, Milestones, Dream Dancing, You and the Night and the Music; Baby Won’t You Please Say Yes; Jingles; It’s the Talk of the Town; Little Melonae; Marilyn’s Dilemma; Love for Sale; Be Deedle De Do.
Personnel: Bob Sneider: guitar; Phil Flanigan: bass; Mike Melito: drums; Vincent Herring: alto saxophone (8, 10); John Sneider: trumpet (4, 9); John Nugent: tenor saxophone (4, 9); David Hazeltine: piano (2, 6).
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me. Try as I might, I was never able to achieve a high enough level of competency to perform at the level I was first and subsequently exposed to. Regardless, I was hooked on jazz and remain so to this day.