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The band with a name that seems to be a culmination of random selection is scaled down to a trio now. Recorded live at the Knitting Factory, this album provides a glimpse of pianist Brian Haas’ firebrand approach and the rhythm section’s stinging, jazz-funk and rock beats. Especially when they infuse ravenous improvisational forays with swiftly executed shifts in strategy. Haas also provides a rough-hewn edge when utilizing his treated Fender Rhodes. The core trio garners enthusiastic support from percussionists, Chris Lovejoy (“Charlie Hunter Band”) and Chris Theberge (“Groove Merchant”) for a series of high-octane performances.
The band opens with a peppery opus, somewhat amusingly titled “Thelonious Monk Is My Grandmother.” Whereas Hass, Reed Mathis (bass) and Jason Smart (drums) set upon a whirlwind sojourn that might hearken memories of early to mid 70’s jazz-rock, such as England’s fabled “Soft Machine” outfit. The ensemble is nimble, cunning and infinitely more imaginative than what was presented on its 1999 horns-based live release, Welcome Home. You may find it difficult to sit still, as the musicians’ snugly coordinated forays, coupled with a loose and cheery vibe provides the bulk of the excitement. Hence, Brian Haas simply terrorizes his keyboards, with ominous intentions we might add! Recommended.
I love jazz because it mixes intellect and emotion in a very spontaneous way.
I was first exposed to jazz by liberating a Coltrane and a Pharoah Sanders record from a friend in NYC and listening to them over and over until I got it.
My advice to new listeners is you have to take the time to listen to some jazz tunes a number of times until it starts to make sense.