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Los Angeles native son bassist Henry "The Skipper" Franklin is perhaps best known for his association with the albums released by the short-lived but influential Black Jazz record label out of Philadelphia in the '70s. He has also played with Freddie Hubbard, Archie Shepp, and the late Horace Tapscott. His new album on his own label is a continuation of a strand of jazz music that arose in the mid to late '60s.
Characterized by modal music (compositions and improvisations based on a series of modes, rather than chord progressions) with strong African and Islamic themesunderpinned by the newly emerging political sentiments of the black power/black nationalist movementall the tunes on All God's Children are marked by a deep sense of spirituality. Percussion is dominant throughout as one tune blends into the next, breaking up the searching John Coltrane-like saxophone stylings of Michael Session and Zane Musa. The high-pitched singing and squeals of Talita Long on "Follow Your Bliss" especially, led off by an Islamic prayer, add a touch of the avant-garde to the mix. Franklin's bass provides the rock-solid support holding everything together.
Fans of the music of saxophonist Pharoah Sanders, Shepp, LA's Dwight Trible, and the latest percussion-heavy works of the Art Ensemble of Chicago will especially love this excellent album. Although All God's Children may be hard to find, the search will be well worth it. It's one of the best albums of 2005.
Track Listing: Reverence; Illusion; Follow Your Bliss; Unattachment; Mambo Bado; Tongues Untied.
Personnel: Henry Franklin: bass; Carl Burnett, Big Black: drums; Theo Saunders: piano; Mark
Waggoner: guitar; Michael Session: tenor saxophone; Zane Musa: alto saxophone; Talita
Long, Pete Mhunzi, Michael Mhagama, Paul Sumbi: vocals.
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.