All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Jazz trio treatment of classical music is nothing new. French pianist Jacques Loussier has been doing it for 30 years with releases like Bach: The Brandenburgs (Telarc, 2006) and Mozart Piano Concertos 20/23 (Telarc, 2006), among many others. So, Alex Baboian's Piano Bench might not appear as novel as it is. But it is unique in that guitarist Baboian arranges late-Romantic piano compositions for the jazz guitar trio.
No Bach, no Mozart, no Beethoven, all are too early for Baboian's forward thinking. Give him Satie, Ravel, Bartok and Scriabin any day. With devilish alchemy and finely honed iron, Baboian modulates his classical treatments through mood and darkness on Satie's "Trois gnossiennes: No. 1," a piece likely recognisable to all listeners. Deep reverb and round tones add to the crepuscular air of the piece. Baboian captures the same drift on Satie's "Trois Gymnopedies: No. 1," spatial and dreamy.
But the guitarist does not always play nice. On Paul Hindemith's "Second Piano Sonata Movement I: Massig Schnell" Baboian hits the overdrive, blowing dust everywhere. The trio cooperates well on this craggy piece, never letting it spin out of control. Spin out of control? No, that is what happens Alexei Stanchinsky's "12 Sketches." Here, the trio becomes a power trio reminiscent of Billy Cobham's work with Tommy Bolin and the Jonas Hellborg-Shawn Lane collaborations. Piano Bench is a uniformly fine disc with everything to offer in pushing boundaries.
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop. But nothing has touched my artistic sensiblities like JAZZ! Two years ago I moved to Sarasota, FL where I renewed my focus on my singing career and I was so impressed with the quality, quantity and generousity of talented jazz musicains in the Suncoast area. I soon partnered with piano legend Billy Marcus and his trio with Don Mopsick and Stephen Bucholtz. What a blast working with these guys and having them back me up on my first jaz album, Here's To You... which was just released on October 1st. I can't wait to see where the coming year brings me! Check out syniacarrolljazz.com