8

Benjamin Taubkin: Al Qantara/The Bridge

Dan Bilawsky By

Sign in to view read count
Benjamin Taubkin: Al Qantara/The Bridge
Music, by its nature, is about building bridges. When it's broken down to its very essence, it's all about forming connections between sounds and souls. That idea, in expanded and magnified form, is the core principle behind Al Qantara/The Bridge. Here, music takes on additional responsibilities, serving as a bridge between styles, syntax, and cultures; it serves as a binding agent between Brazil and Morocco.

In 2009, Brazilian pianist Benjamin Taubkin was invited to perform at the Timitar Festival in Morocco. That experience awakened his interest in music from that country. Thirsty for further exploration, Taubkin came up with the idea to put on a concert that brought Brazilian and Moroccan musicians together. He gathered some Brazilian players, and Brahim El Mazned, who had invited Taubkin to perform at the aforementioned festival, served as contractor on the Moroccan side. The concert turned out to be a great success, so the musicians reconvened a year later to record this album.

While Taubkin and friends create something unique and special by bridging the gap between these two realms, it should be noted that this isn't a 50/50 blend of cultures. It's a study in sonic climate change, observing what happens to Moroccan music when Brazilian musicians are introduced into the atmosphere. Those expecting Moroccan-spiced samba, bossa nova or choro music won't find it here. Instead, Taubkin brings a sense of openness to the other side of the table. His lone compositional contribution—"O Deserto E Aqui"—serves as the strongest example of what can be accomplished in this type of meeting. Shadowy lines, reflective asides, and a fine balance between musical migration and repetition help to make this a compelling listen. Vamps, whether serving as transitional material or a foundation for stacking ("Hamdouchia"), find their way into a good amount of this material. The music can be cheerful and carefree ("Salsabile") on occasion, but a sense of mystery is really the overriding theme in this work. It's the certainty of uncertainty that carries the day on Al Qantara/The Bridge

Track Listing

O Deserto E Aqui; Hamdouchia; Salsabile; Berma Sosanbi/Adeus Meu Lirio Verde; Variacao Em Temas Tradicionais (Variations On Traditional Themes); Hijaz; Quilombo.

Personnel

Benjamin Taubkin: piano; Ari Colares: percussion; Joao Taubkin: bass; Lulinha Alencar: accordion; Mehdi Nassouli: gimbri; Farid El Foulahi: oud; Lahoucini Bagir: percussion.

Album information

Title: Al Qantara/The Bridge | Year Released: 2014 | Record Label: Adventure Music

Post a comment about this album

Tags

View events near New York City
Jazz Near New York City
Events Guide | Venue Guide | Get App | More...

Shop Amazon

More

Sone Ka-la 2: Odyssey
Jacques Schwarz-Bart
It's My Turn
The Echo Park Project
Da Fé
Dan Blake
Dream Disobedience
Elisabeth Harnik / Michael Zerang

Popular

All About Jazz needs your support

Donate
All About Jazz & Jazz Near You were built to promote jazz music: both recorded albums and live events. We rely primarily on venues, festivals and musicians to promote their events through our platform. With club closures, limited reopenings and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. This is a significant but neccesary step that will help musicians and venues now, and in the future. You can help offset the cost of this essential undertaking by making a donation today. In return, we'll deliver an ad-free experience (which includes hiding the sticky footer ad). Thank you!

Get more of a good thing

Our weekly newsletter highlights our top stories and includes your local jazz events calendar.