All About Jazz

Home » Articles » CD/LP/Track Review

8

Benjamin Taubkin: Al Qantara/The Bridge

Dan Bilawsky By

Sign in to view read count
Music, by its nature, is about building bridges. When it's broken down to its very essence, it's all about forming connections between sounds and souls. That idea, in expanded and magnified form, is the core principle behind Al Qantara/The Bridge. Here, music takes on additional responsibilities, serving as a bridge between styles, syntax, and cultures; it serves as a binding agent between Brazil and Morocco.

In 2009, Brazilian pianist Benjamin Taubkin was invited to perform at the Timitar Festival in Morocco. That experience awakened his interest in music from that country. Thirsty for further exploration, Taubkin came up with the idea to put on a concert that brought Brazilian and Moroccan musicians together. He gathered some Brazilian players, and Brahim El Mazned, who had invited Taubkin to perform at the aforementioned festival, served as contractor on the Moroccan side. The concert turned out to be a great success, so the musicians reconvened a year later to record this album.

While Taubkin and friends create something unique and special by bridging the gap between these two realms, it should be noted that this isn't a 50/50 blend of cultures. It's a study in sonic climate change, observing what happens to Moroccan music when Brazilian musicians are introduced into the atmosphere. Those expecting Moroccan-spiced samba, bossa nova or choro music won't find it here. Instead, Taubkin brings a sense of openness to the other side of the table. His lone compositional contribution—"O Deserto E Aqui"—serves as the strongest example of what can be accomplished in this type of meeting. Shadowy lines, reflective asides, and a fine balance between musical migration and repetition help to make this a compelling listen. Vamps, whether serving as transitional material or a foundation for stacking ("Hamdouchia"), find their way into a good amount of this material. The music can be cheerful and carefree ("Salsabile") on occasion, but a sense of mystery is really the overriding theme in this work. It's the certainty of uncertainty that carries the day on Al Qantara/The Bridge

Track Listing: O Deserto E Aqui; Hamdouchia; Salsabile; Berma Sosanbi/Adeus Meu Lirio Verde; Variacao Em Temas Tradicionais (Variations On Traditional Themes); Hijaz; Quilombo.

Personnel: Benjamin Taubkin: piano; Ari Colares: percussion; Joao Taubkin: bass; Lulinha Alencar: accordion; Mehdi Nassouli: gimbri; Farid El Foulahi: oud; Lahoucini Bagir: percussion.

Title: Al Qantara/The Bridge | Year Released: 2014 | Record Label: Adventure Music

Tags

comments powered by Disqus

Related Articles

Read My Singing Fingers CD/LP/Track Review
My Singing Fingers
by Dan McClenaghan
Published: May 25, 2018
Read Ain't It Grand? CD/LP/Track Review
Ain't It Grand?
by Jack Bowers
Published: May 25, 2018
Read If Not Now, When? CD/LP/Track Review
If Not Now, When?
by Dan Bilawsky
Published: May 25, 2018
Read Perfectly Unhappy CD/LP/Track Review
Perfectly Unhappy
by Gareth Thompson
Published: May 25, 2018
Read Sorrows & Triumphs CD/LP/Track Review
Sorrows & Triumphs
by Jerome Wilson
Published: May 25, 2018
Read Half Light CD/LP/Track Review
Half Light
by Karl Ackermann
Published: May 24, 2018
Read "Incidentals" CD/LP/Track Review Incidentals
by Mike Jurkovic
Published: September 23, 2017
Read "Marseille" CD/LP/Track Review Marseille
by Roger Farbey
Published: May 28, 2017
Read "Lattice" CD/LP/Track Review Lattice
by Jerome Wilson
Published: May 15, 2018
Read "Walk The Walk" CD/LP/Track Review Walk The Walk
by Mark Sullivan
Published: May 21, 2018
Read "Nightfall" CD/LP/Track Review Nightfall
by Dan McClenaghan
Published: October 6, 2017
Read "Random Acts of Order" CD/LP/Track Review Random Acts of Order
by John Sharpe
Published: November 15, 2017