Pianist Bill Carrothers has selected songs you’ve heard time and again out on the town, when the club is getting ready to close and everyone’s left but you and the band. Dedicated to Frank Sinatra, the album contains romantic ballads that would follow heartbreak and reveal hopes of turning one’s love life around. Carrothers has a deeply emotional piano style that stresses harmony by overlapping the tones to create soundscapes. You can get acquainted with the artist by reading portions of http://www.carrothers.com/billyboy/billy.htm . Real Audio samples from After Hours may be downloaded from http://www.bridgeboymusic.com/afterhours/after_hours.htm .
Supported by Billy Peterson, a lyrical bassist who works hand-in-glove with the pianist, and drummer Kenny Horst, a timekeeper with a feel for appropriate textures, Bill Carrothers works his way through one dreamy melody after another. Billy Strayhorn’s "Chelsea Bridge" and "A Flower is a Lovesome Thing" have all three artists pouring out their hearts, finding new and different modes of expression. The bass rumbles, the drum head squeaks, and the piano drifts on, moaning about what’s going on in one man’s heart while others elsewhere may be dancing down the street. Again on "For All We Know," the trio searches out new and different ways to provide a variety of textures. Horst introduces metallic squealing sounds from the cymbal while Peterson spells out the familiar pizzicato melody. All the while, Carrothers is coloring with overlapping tones and lingering thoughts. There are microphones in and around the trio; however, the sound isn’t the best. It does add authenticity, though; makes you feel like you’re there in the club. The material on this album was recorded after hours, between 2:00 a.m. and 5:00 a.m. over several nights. In the "Wee Small Hours" of the morning a dreamy piano begins all alone, is joined by bass & drums, and then the three improvise until it’s time to go home. Sssh, be careful on the way out. You may wake up that guy over there in the corner. Recommended.
Track Listing: Wee Small Hours; Green Dolphin Street; Green Dolphin Street (reprise); For Heaven
Personnel: Bill Carrothers- piano; Billy Peterson- acoustic bass; Kenny Horst- drums.
First time I met Lee Konitz, my mentor who completely changed my life, in 1992. He was giving a masterclass at the Cologne Conservatory (Germany) where I was a freshmen (with playing experience around three years total)
First time I met Lee Konitz, my mentor who completely changed my life, in 1992. He was giving a masterclass at the Cologne Conservatory (Germany) where I was a freshmen (with playing experience around three years total). He saw an alto sax on my neck and said: Hey, how about you there, would you like to play something for us? I played a piece with the piano. OK, said Lee, how about you play something unaccompanied? Oh yeah! I was deep into transcribing Sonny Stitt and pretty much into playing as fast as possible as many right notes as possible. So I played Oleo in about 300 beats per minute and was very proud of myself. Lee was tapping his foot all the way through. Hmm, he said, that was in time and all that... (I thought - yeah, of course, haha!) and then he said, You've got a lot of quantity, how about quality? It took me 15 years to realize what he meant.