178

Jeanne Lee/Mal Waldron: After Hours

Rex  Butters By

Sign in to view read count
Jeanne Lee/Mal Waldron: After Hours
Like too many utterly original and fearless jazz artists, Jeanne Lee’s audience and reputation seems to reside more within the community of musicians than listeners. Despite remarkable classic recordings with Archie Shepp, Anthony Braxton, Carla Bley, Andrew Cyrille, Billy Bang, William Parker, Steve Coleman, and of course, Gunter Hampel, Lee has never received the notoriety due a musician with such an impressive resume. Her naked alto, broad interpretive skills, improvisational gifts, and choice of material left her with few peers among vocalists of her generation, Leon Thomas being one candidate. Although a recent review characterized Lee’s voice itself as an “acquired taste,” the above list suggests that more sensitive ears had no such difficulty.

Waldron brings an equally impressive past, having worked with Shepp, Dolphy, Mingus, and Abbey Lincoln, along with his legendary tenure with Billie Holiday. In the late ‘50’s he was musical director for Prestige Records, and he wrote now-classic compositions, some of which appear here.

Waldron recorded a few albums with Lee in the nineties, including After Hours, reissued by Owl/Sunnyside. Recorded in two days, this session features standards and timeless gems rendered with love by two old pros. Their collaboration results in a warm intimacy with the material and each other’s style.

Opening with Ellington’s “Caravan,” the duo simmer the jump out of it, boosting the sensuality until the desert rendezvous becomes a spiritual antecedent to “Midnight at the Oasis.” Waldron’s faultlessly precise minimalism cultivates the tension, and Lee’s timbre, through her improvs and interpretation, amplifies the heat. “You Go to My Head” has the vocalist's elastic phrasing easily matched by Waldron’s flexibility. His solo manipulates silence and space as much as the piano. Rogers & Hart’s “I Could Write a Book” captures the carefree feel of the tune, with Lee’s solo sounding as natural and personal as humming on a stroll.

In selecting Mingus’ “Goodbye Porkpie Hat,” Lee wisely eschews the more famous Joni Mitchell lyric for Rahsaan Roland Kirk’s more definitive version. Waldron creates little miracles with his chords, exploring the mournfulness while composing unforeseen transitions. Likewise, Lee takes dramatic liberties with the melody. Compressed within a little over three minutes, it’s as chill-inducing as the first time you heard Mingus play it.

Lee toasts the pianist with two of his own, first with “Straight Ahead,” using Abbey Lincoln’s lyrics. She leaves lyrics behind all together on the familiar “Fire Waltz.” A standard in Dolphy’s repertoire, the tune finds Lee playful, with Waldron insistent and rhythmic. On Ellington’s “I Let A Song Go Out of My Heart,” she sounds like she’s singing through a smile. Again, her variations of time and texture find a willing accomplice in Waldron.

The closing bittersweet version of Cole Porter’s “Everytime We Say Goodbye” reminds us of the loss of both these giants in the last few years. With so much of Lee’s catalogue hard to find these days, this straightforward love letter to some favorite old songs is a welcome release.

Track Listing

Caravan; You Go To My Head; I Could Write a Book; Goodbye Pork-Pie Hat; Straight Ahead; Fire Waltz; I Let A Song Go Out of My Heart; Every Time We Say Goodbye.

Personnel

Jeanne Lee, voice; Mal Waldron, piano

Album information

Title: After Hours | Year Released: 2003 | Record Label: Owl Records

Post a comment about this album

Tags

Shop Amazon

More

All About Jazz needs your support

Donate
All About Jazz & Jazz Near You were built to promote jazz music: both recorded and live events. We rely primarily on venues, festivals and musicians to promote their events through our platform. With club closures, shelter in place and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. This is a significant but neccesary effort that will help musicians now, and in the future. You can help offset the cost of this essential undertaking by making a donation today. In return, we'll deliver an ad-free experience (which includes hiding the bottom right video ad). Thank you.

Get more of a good thing

Our weekly newsletter highlights our top stories and includes your local jazz events calendar.