500

Arturo Sandoval: A Time for Love

Nicholas F. Mondello By

Sign in to view read count
Arturo Sandoval: A Time for Love Years ago, on The Tonight Show, host Johnny Carson asked guest Frank Sinatra what music he enjoyed listening to when "in those romantic moments." Sinatra, to the host's surprise, said he particularly enjoyed the hearing works of Debussy, Ravel and other Impressionists and Romantics. With A Time for Love, trumpet legend Arturo Sandoval steps away from the fast, hard-swinging Afro-Cuban and bebop con fuego jazz for which he is known and delivers a 14-cut romantic love letter con alma. This is fine listening, no matter what the moment might be or what Sinatra—who certainly knew his trumpeters—might have enjoyed.

With A Time for Love, Sandoval once again grabs the crown as a king of the trumpet. Leveraging luscious, intelligently refined orchestral arrangements by string wizard Jorge Calandrelli and the always terrific Shelly Berg, Sandoval uses his mile-wide sound, engaging tone and utter mastery of dynamic and melodic nuance to envelop these Great American Songbook, popular and classical selections in warmth and soul.

Since Charlie Parker did it decades ago with Charlie Parker with Strings (Mercury, 1950), jazz musicians have placed themselves in more sedate environments, emulating concert artists by being accompanied by string orchestras. Clifford Brown was one of the first pure jazz trumpeters to do so. Wynton Marsalis and Roy Hargrove followed decades later. More commercially, the Jackie Gleason albums which featured Bobby Hackett's sound did same.

For a jazz player working in this type of environment, one of the displays of maturity is restraint: the ability to take things down tempo-wise, play with the lyric and through the melody—to weave wonder with sound. Sandoval does all of this brilliantly. And, as Louis Armstrong, Bunny Berigan, Chet Baker and Jack Sheldon also did, Sandoval also sings ("Estate").

Chris Botti, another trumpet star who has played the ballad and romance game well, appears as a guest artist. Monica Mancini, a marvelous vocal talent who doesn't play on her pedigree, offers a very nice rendition of "Oblivion."

There could be a tendency to schmaltz it up in the orchestral scenario, falling prey to saccharine sliding strings and unnecessary overplay. Not here. Sandoval commands the horn and the date, emitting nothing but soul through his buttery flugelhorn, open horn and Harmon-muted trumpet. The arrangements frame him marvelously throughout. The rhythm section is beautifully understated, yet musically supportive, with Berg's piano a golden touch.

The only minor critique is the CD's enormity—twelve selections plus two bonus selections (which feature pianists Berg and Kenny Barron, respectively). While the music is terrific, it's a bit too much of a very good thing.

A Time for Love is an elegant, beautiful work of musical artistry by a true master. While now might be Sandoval's time for love, his work here is a wonderful labor of same. So, lower the lights, drink up and savor—and, for tonight, leave Frank on the shelf.


Track Listing: Apres Un Reve (After the Dream); Emily; Speak Low; Estate; A Time for Love; Pavane pour une Infante Defunte (Pavane for a Dead Princess); I Loves You Porgy; Oblivion (How to Say Goodbye); Pavane; Smile; All the Way; Smoke Gets in Your Eyes; Windmills of Your Mind; Every Time We Say Goodbye.

Personnel: Arturo Sandoval: trumpet, flugelhorn, vocals; Shelly Berg: piano; Chuck Berghofer: bass; Gregg Field: drums, percussion; Chris Botti: trumpet (6); Monica Mancini: vocals (8); Kenny Barron: piano (14).Jorge Calandrelli: conductor; Bruce Dukov: concertmaster; Natalie Legget: violin; Phillip Levy: violin; Charlie Bisharat: violin; Darius Campo: violin; Liane Mautner: violin; David Ewart: violin; Tamara Hatwan: violin; Razdan Kuyumijian: violin; Searmi Park: violin; Songa Lee: violin; Kevin Connolly: violin; Tiffany Yi Hu: violin; Robin Olson: violin; Darren McCann: viola; Harry Shirinian: viola; Keith Greene: viola; Alma Fernandez: viola; Dennis Karmazin: cello; Vanessa Freebairn-Smith: cello; Trevor Handy: cello; Christine Ermacoff: cello.

Year Released: 2010 | Record Label: Concord Music Group | Style: Ambient


Related Video

Shop

More Articles

Read Over the Rainbow CD/LP/Track Review Over the Rainbow
by Paul Rauch
Published: February 24, 2017
Read Before The Silence CD/LP/Track Review Before The Silence
by John Sharpe
Published: February 24, 2017
Read Masters Legacy Series, Volume 1 CD/LP/Track Review Masters Legacy Series, Volume 1
by Edward Blanco
Published: February 24, 2017
Read Backlog CD/LP/Track Review Backlog
by Mark F. Turner
Published: February 24, 2017
Read Process And Reality CD/LP/Track Review Process And Reality
by Mark Corroto
Published: February 24, 2017
Read The Picasso Zone CD/LP/Track Review The Picasso Zone
by Franz A. Matzner
Published: February 23, 2017
Read "Eleven Promises" CD/LP/Track Review Eleven Promises
by C. Michael Bailey
Published: July 30, 2016
Read "Of the Tree" CD/LP/Track Review Of the Tree
by Dave Wayne
Published: October 9, 2016
Read "(Five) Stories Untold" CD/LP/Track Review (Five) Stories Untold
by Karl Ackermann
Published: January 6, 2017
Read "Invention of Knowledge" CD/LP/Track Review Invention of Knowledge
by Glenn Astarita
Published: September 9, 2016
Read "Bathysphere" CD/LP/Track Review Bathysphere
by Glenn Astarita
Published: March 18, 2016
Read "In Denmark 1959-1960" CD/LP/Track Review In Denmark 1959-1960
by Jakob Baekgaard
Published: June 18, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!