All About Jazz

Home » Articles » CD/LP/Track Review

410

Ramblin' Jack Elliott: A Stranger Here

Ian Patterson By

Sign in to view read count
Few living artists can claim to have been mentor and model to Bob Dylan, but the man Dylan described as the King of folk singers— Ramblin' Jack Elliott—has influenced a host of singers and story tellers from Johnny Cash and Ry Cooder to Tom Waits. Now in his sixth recording decade, Elliott returns in great voice with A Stranger Here, a collection of Depression-era blues numbers.

Elliott has carried on Woody Guthrie's folk tradition, though the blues has been a part of the singer's songs since his first recordings in the mid-1950s, and he has sung the blues about everything from cocaine to arthritis. Therefore, it wasn't so far-fetched when producer Joe Henry pitched the idea for Elliott to record these songs of drifting, soul-searching, mortality and the cruel vicissitudes of nature.

There's a lovely shuffling New Orleans gait to "Rising High Water Blues," Blind Lemon Jefferson's 1927 classic, and David Piltch's bass has a tuba-deep, second line swing; Elliott's gravely voice intoning: "Children stand there screaming, 'Mama, we ain't got no home...'" still conjures images of Katrina, and jangling piano and mandolin sound like the very water breaking the levees.

Elliot's voice, despite his 78 years, is strong and emotive. On the influential guitarist Reverend Gary Davis' "Death Don't Have no Mercy"—once a staple of Grateful Dead concerts, for whom Elliott played between sets— there's a weathered, soulful quality to Elliott's voice. Although Jerry Garcia's voice had withered towards the end, the similarities are there. Appropriately, there's a naked, soul- laid-bare edge to Elliott's voice on Blind Willie Johnson's "Soul of a Man." Greg Leisz' slide playing is a delight, and percussion, bass and ghostly dobro build powerfully and hypnotically to make this arguably one of the definitive versions of this classic blues.

The lovely country blues of Mississippi John Hurt's "Richland Woman's Blues," Tampa Red's "New Stranger Blues" and Furry Lewis' gorgeous, gently paced "Falling Down Blues" provide contrast to the darker undertones of "Grinnin' in your Face;" Elliott conveys the pain and resignation of Son House's lament, which has the sobering effect of a shovel-full of cold earth on a coffin lid. Somber bass and drums, almost funereal, and mournful piano close the song.

The sensuous slow dance that is Leroy Carr's "How Long Blues" sees Elliott belt out the lines: "If I could holler like a mountain jack I'd go up on the mountain, call my baby back..." over David Hidalgo's swaying accordion. These songs have the feel of a front porch get-together, albeit with impeccable musicianship from the supporting cast.

Nat Hentoff wrote of a young Joan Baez, that she sang centuries-old, English folksongs as convincingly as if she was of that time. The same could be said for Ramblin' Jack Elliott's ability to become the protagonist of the songs he sings.

Elliott has never been a prolific song writer, making Dylan's praise perhaps unduly generous; nevertheless, this is a hugely satisfying recording by a unique figure in American music.


Track Listing: Rising High Water Blues; Death Don't Have No Mercy; Rambler's Blues; Soul of a Man; Richland Women Blues; Grinnin' in your Face; New Stranger Blues; Falling Down Blues; How Long Blues; Please Remember Me.

Personnel: Ramblin' Jack Elliott: vocals, acoustic guitar; Greg Leisz: acoustic guitar, mandolin, mandola, dobro, Weissenborn; David Piltch: upright bass; Jay Bellerose: drums and percussion; Keefus Ciancia: piano, keyboards; David Hidalgo: acoustic guitar, accordion; Van Dyke Parks: piano, vibraphone.

Title: A Stranger Here | Year Released: 2009 | Record Label: Anti-

Tags

Related Video

comments powered by Disqus

Related Articles

Read You'd Be So Nice To Come Home To CD/LP/Track Review
You'd Be So Nice To Come Home To
by Dan Bilawsky
Published: February 24, 2018
Read We Out Here CD/LP/Track Review
We Out Here
by Chris May
Published: February 24, 2018
Read Best of the Bootlegs 2017 CD/LP/Track Review
Best of the Bootlegs 2017
by Doug Collette
Published: February 24, 2018
Read The Asylum Years CD/LP/Track Review
The Asylum Years
by Doug Collette
Published: February 24, 2018
Read Solo Contra CD/LP/Track Review
Solo Contra
by Daniel Barbiero
Published: February 24, 2018
Read Ellipse CD/LP/Track Review
Ellipse
by Dan McClenaghan
Published: February 23, 2018
Read "While We Still Have Bodies" CD/LP/Track Review While We Still Have Bodies
by Tyran Grillo
Published: February 23, 2018
Read "Dream a Little Dream" CD/LP/Track Review Dream a Little Dream
by Victor L. Schermer
Published: November 16, 2017
Read "Change Of Address" CD/LP/Track Review Change Of Address
by Dan Bilawsky
Published: September 6, 2017
Read "What Time Is It?" CD/LP/Track Review What Time Is It?
by Nicholas F. Mondello
Published: June 10, 2017
Read "Day After Day" CD/LP/Track Review Day After Day
by John Eyles
Published: July 21, 2017
Read "The Treasury Shows, Vol. 24" CD/LP/Track Review The Treasury Shows, Vol. 24
by Chris Mosey
Published: November 21, 2017