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An album devoted to Abbey Lincoln's glorious compositions is such an obvious and appealing idea it's a wonder it's taken so long for someone to do it. For decades, Lincoln has written one gorgeous song after another, imbued with passion, emotion and her wise lyrical observations on life, love and loss. Yet while almost every major and minor figure in jazz has been the subject of a "tribute album, Lincoln's was nowhere to be found. Until now, that is.
Kudos then to the fine New York singer Kendra Shank, a friend and disciple of Lincoln's, for finally taking on the challenge of recording an "Abbey Lincoln Songbook and a challenge it is, given how difficult and idiosyncratic Lincoln's tunes can be. But Shank, a former folksinger who shares some of Lincoln's theatrical intensity, knocks the eleven songs on A Spirit Free out of the park, capturing the essence of these deeply personal tunes without attempting the losing proposition of imitating Lincoln's wholly inimitable approach.
With fine, spare backing from a group featuring pianist Frank Kimbrough, saxophonist Billy Drewes, guitarist Ben Monder and accordionist Gary Versace among others, Shank makes some of Lincoln's best-known compositions her own. She squeezes all the melancholy drama out of the haunting torch song "Down Here Below and treats "The World Is Falling Down as a sort of Tom Waits-meets-circus-big-top theme. This will surely show up on many best vocal albums lists at the end of the year and will hopefully shine more light on the artistry of both Shank and Lincoln.
Track Listing: The Music Is the Magic; I Got Thunder (And It Rings); Not to Worry; Down Here Below; A Circle of Love; Incantation/Throw It Away; Bird Alone; The World Is Falling Down; Wholly Earth; Natas (aka Playmate); Being Me.
Personnel: Kendra Shank: vocals; Frank Kimbrough: piano; Dean Johnson: bass; Billy Drewes: bass clarinet: soprano and tenor saxophones; Ben Monder: guitar; Tony Moreno: drums; Gary Versace: accordion.
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me. Try as I might, I was never able to achieve a high enough level of competency to perform at the level I was first and subsequently exposed to. Regardless, I was hooked on jazz and remain so to this day.