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Even for a musician of Frode Gjerstad's staturehe has been active internationally since the early 1980s with a panoply of improvising brethrenNew York can still be a tough town. Coming in as part of a short Christmas, 2007 tour, his gig at Jimmy's was unceremoniously cancelled. So he was to be found Dec. 11th packed into the back of Downtown Music Gallery with bassist Øyvind Storesund, drummer Paal Nilssen-Love and guest Steve Swell, playing to a sizeable and appreciative crowd of regulars. The group soldiered on amicably, Nilssen-Love's pyrotechnics limited to a snare, hi-hat and one cymbal and Gjerstad's alto and clarinet as biting and probing as it has been for decades.
A portion of Gjerstad's discographyfor his own label, Circulasione Totale, and othershas been given over to the saxophone trio. Even with Swell in tow at Downtown, the threesome of Gjerstad, Storesund and Nilssen-Love generated most of the momentum. Ten years and a few months prior, Gjerstad had another gig in New York with another impressive rhythm section: late bassist Wilbur Morris and drummer Rashid Bakr. This Knitting Factory concert has now been released as part of Ayler Records' download-only series and demonstrates that Gjerstad is above all things a committed improviser.
With Morris and Bakr, perhaps Gjerstad's aesthetic is a little more "American" and the rhythms more stable, but lengthy exploration is still the catchall. The disc is composed of three involved improvisations: "Sound (at over 30 minutes), "Sound Sight," which at four minutes is a slow breather after "Sound"'s fire and "Sight," 27 minutes of rested and restive Gjerstad.
What one takes away from this disc, the concert or indeed his whole career, is that Gjerstad, as any improviser worth his salt should, embraces challenging playing situations with a range of individuals yet is steadfast in remaining himself.
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop. But nothing has touched my artistic sensiblities like JAZZ! Two years ago I moved to Sarasota, FL where I renewed my focus on my singing career and I was so impressed with the quality, quantity and generousity of talented jazz musicains in the Suncoast area. I soon partnered with piano legend Billy Marcus and his trio with Don Mopsick and Stephen Bucholtz. What a blast working with these guys and having them back me up on my first jaz album, Here's To You... which was just released on October 1st. I can't wait to see where the coming year brings me! Check out syniacarrolljazz.com