All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Tony Monaco and his trio sit down and do business with Joey DeFrancesco and his trio. All at the same time. As the two trios trade off with seamless interaction, the momentum switches from one side to the other. One organist follows the other, and one guitarist follows the other, in up-tempo battles that rage with creative juices flowing.
Monaco and DeFrancesco are using a new generation Hammond model. While credit must be given to the instrument for the sparkling crisp sounds it offers, it takes soul to interpret the way these two masters do. Now established veterans, both leaders make this one a session to remember.
DeFrancesco’s muted and open trumpet feature on “Aglio e Olio” recalls the pioneering spirit of Dizzy Gillespie when jazz was undergoing a major change. Monaco provides an authentic folk scene with a cappella accordion on “Waltz of the Angels.” Then, Monaco’s accordion and DeFrancesco’s open horn create an Italian wedding party atmosphere on “Oh Marie.” As they hit their stride, two pumped-up Hammond B3s retake the spotlight with knees bending and feet flying. The bride and groom are sure going to be tired when this party’s over. Everyone is having a delicious good time.
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me. Try as I might, I was never able to achieve a high enough level of competency to perform at the level I was first and subsequently exposed to. Regardless, I was hooked on jazz and remain so to this day.