Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

467

A Jazz Explosion at the Musician's Union, Local 47, Los Angeles, CA

By

Sign in to view read count
Bruce Babad Quartet / Ramon Banda Quintet / Billy Valentine Quartet / Azar Lawrence Quartet
Local 47, Musicians' Union
Los Angeles, CA
May 4, 2008



The dues were paid, and honor and homage were made to the true art form in L.A. on this day.

The event was "A Jazz Explosion," hosted by the California Jazz Foundation on May 4, 2008 at the digs of Local 47, Musicians' Union in Los Angeles. It was an occasion for lots of hot sounds—indeed, a conflagration perhaps never before experienced on the planet! Four sets of music by artists on a jazz mission. The fire simply would not be contained—it spread through the auditorium and over the city with artists unleashing succulent standards, bare-boned blues, no-nonsense straight-ahead swing, heart-centered Latin pulsations, and versatile vocal selections.

The Bruce Babad Quartet—featuring Bruce Babad on alto sax, Larry Koonse on guitar, Putter Smith on bass, Steve Barnes on drums, and John Campbell on piano—ignited the afternoon with Gerry Mulligan's "Line for Lyons." Satisfying, like velvet on listeners' ears. Anyone like to trade 4s or 6s? Babad and Campbell certainly did. Moreover, Babad's arrangement of Rodgers and Hart's "My Funny Valentine" was love for the heart, salve for the soul, water for the thirsty, and food for the hungry. Speaking of love...Babad performed a gorgeous waltz he had written for his wife—"Jan." Steve Barnes wasn't bashful with his brushwork behind Babad's melody played on alto. The leader continued to enthrall with a composition he wrote utilizing music notes that correlated with his last name. The tune, entitled "BABAD," produced a cool and funky interaction in the call and response between the altoist and Campbell's piano.

What a tribute to Paul Desmond, the great altoist and composer of "Take Five." And though the quartet had the same instrumentation as Dave Brubeck's, they added their own elegance with stirring bass work by Putter Smith, splendid guitar solos and accompaniment by Larry Koonse, John Campbell's plush yet uninhibited piano playing and Babad's ever smooth, intuitive and sexy alto sax. And this was only the first set of music!

Ramon Banda and his Quintet began with greater intensity than the preceding group. Ramon Banda on drums, Carlos Cuevas on piano, Craig Fundya on vibes, Joey (Joseph) DeLeon on percussion, and Edwin Livingston on bass performed the music of Cal Tjader, Theo Saunders, "Dizzy" Gillespie, Walter "Gil" Fuller, and "Chano" Pozo Gonzales. It was a wonderful exchange among the musicians—a delight simply to watch the astuteness and musicianship connect on the Theo Saunders piece, "Lo Down, No Feathers" and Cal Tjader's "Philly Mambo." The hauntingly beautiful standard "Tenderly" caressed us all while we swayed in the moment. Throughout, Cuevas kept the room ablaze with his lyrical style, his intriguing, skillful hands producing music that sent chills down my spine.

Suddenly "Carlito!!!" was shouted by an audience member, anticipating my own thoughts. I wanted to shout his name as well! Banda turned up the heat with a steady and soul-stirring, joyful rhythmic beat. Cuevas continued serving up his sweet and sizzling vibrations, leading to empathetic communication felt as much by the audience as the musicians. DeLeon was in sync with his tireless pulverizing percussion while Livingston, in his usual attire, fueled the inferno with changes on bass that were galvanizing. They completed their journey with Dizzy Gillespie's invigorating "Manteca."

The "Jazz Explosion" hosted not only incomparable music but a luscious spread of salads, main courses, desserts, fine wines and liquor along with soft drinks, water and hot coffee. The harmony among the audience members and testimonials given by those who have been supported through efforts of the California Jazz Foundation made the event not only personally fulfilling, musically and artistically, but altruistically and communally satisfying as well. We truly communed together on this magical afternoon.

Highlights occurred throughout the afternoon, with each set bringing its special sizzle. Certainly the Billy Valentine Quartet kept the flames going. The Quartet, featuring Billy Valentine—a keen and warm vocalist—includes the equally perceptive Stuart Elster on piano, an animated Bruce Lett on bass and the remarkable Gary Gibbons on drums, who kept it steady, strutting, and swinging.


Tags

comments powered by Disqus

More Articles

Read We Jazz: Moveable Feast Fest Theory Live Reviews We Jazz: Moveable Feast Fest Theory
by Josef Woodard
Published: December 16, 2017
Read Anat Cohen Tentet at SFJAZZ Live Reviews Anat Cohen Tentet at SFJAZZ
by Harry S. Pariser
Published: December 16, 2017
Read We Jazz Festival 2017 Live Reviews We Jazz Festival 2017
by Anthony Shaw
Published: December 16, 2017
Read Mary Ellen Desmond: Comfort and Joy 2017 Live Reviews Mary Ellen Desmond: Comfort and Joy 2017
by Victor L. Schermer
Published: December 15, 2017
Read Jazztopad Festival 2017 Live Reviews Jazztopad Festival 2017
by Henning Bolte
Published: December 13, 2017
Read Vivian Reed at Feinstein's/54 Below Live Reviews Vivian Reed at Feinstein's/54 Below
by Tyran Grillo
Published: December 12, 2017
Read "Buenos Aires Jazz Festival 2016" Live Reviews Buenos Aires Jazz Festival 2016
by Mark Holston
Published: January 9, 2017
Read "Kurrent Duo at The Bop Stop" Live Reviews Kurrent Duo at The Bop Stop
by C. Andrew Hovan
Published: November 8, 2017
Read "The Tom & Jamie Show at the College Street Congregational Church" Live Reviews The Tom & Jamie Show at the College Street...
by Doug Collette
Published: March 29, 2017
Read "Willie Nelson's Outlaw Festival" Live Reviews Willie Nelson's Outlaw Festival
by Christine Connallon
Published: September 30, 2017
Read "Sue Rynhart at The Cresent Arts Centre" Live Reviews Sue Rynhart at The Cresent Arts Centre
by Ian Patterson
Published: September 15, 2017
Read "Hermeto Pascoal at SFJAZZ" Live Reviews Hermeto Pascoal at SFJAZZ
by Harry S. Pariser
Published: April 21, 2017

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!