was only the beginning to this part of the story...
I cannot listen to Andrew Hill’s new big band recording with out thinking of him and his band as a relatively well-behaved Sam Rivers and the Rivbea Big Band. Of course, that horribly shortchanges the 65 year-old Chicago native who’s Palmetto debut, Dusk, was considered by many critics as the best jazz recording on the year. Add to that that Blue Note’s Alfred Lion considered Hill his last great protégé and that Hill produced several ground-breaking recordings for that label in the 1960s.
A Beautiful Day
continues Hill exploration of ground-breaking jazz. Recorded during a January 24-26, 2002 stint at Birdland in New York City, A Beautiful Day showcases Hill really big band (16 pieces in all). The eight craggy compositions are Hill’s, filled with effervescence and bare restraint. Hill is the most effective guide for his own music and these performances come off perfectly. The band is made up of crack New York players, most with the same modern bent as Hill. Chief among these is drummer Nasheet Waits, Trumpeter Dave Ballou, and multireedist Mart Erhlich. Hill’s reemergence on Palmetto Records marks the welcome return of one of Jazz music’s true geniuses.
Track Listing: Divine Revelation, Faded Beauty, Bellezza, 5 Mo, New Pinnochio, J Di, A Beautiful Day, 11/8
I love jazz because it is the only existing music style which let you
I was first exposed to jazz by Gunther Hampel in Hamburg, around 1972.
I met Ornette Coleman, Butch Morris, Karl Berger, Michel Camilo, a.o.
The best show I ever attended was Salif Keita at the Blue Note in
The first jazz record I bought was the Tony Scott and Hozan Yamamoto
My advice to new listeners: when you listen to my music, please be a
part of it.