73

Marco Sanguinetti: 8

Karl Ackermann By

Sign in to view read count
Argentine pianist and composer Marco Sanguinetti had established a solid and unique style with his solo effort Improvisiones (MDR, 2005). His penchant for emphasizing percussive effects and recurring variations of phrases are elements that he has consistently employed in his recordings. With El otro (Acqua, 2011) he placed a stronger prominence on lyricism while maintaining a high-density attack. Taking his skills to a new level is what 8 is about and Sanguinetti raises the bar adding stratums of texture, multiple influences and styles without prolixity.

The title 8 comes from both the number of tracks and eight related graphic designs from Argentinian artist Leandro Castelao. Castelao spent months rendering this stunning cross-media representation Sanguinetti's original compositions and it speaks to the overall artistic integrity that has gone into every aspect of 8. These multi-media projects are a regular facet of Sanguinetti's aesthetic process as he has a long involvement with audiovisual projects, dance and theater.

Opening with the pulsating "Cuchillo" Sanguinetti immediately restates his preferred technique of using the piano as a percussion instrument. Drummer Fermin Merlo sweeps in bassist Jeronimo Carmona and cellist Leila Chero setting the stage for Sanguinetti's lead. The leader remains in the forefront into "Ruedas," a piece that captures the composer's intent to meld the urban landscape with his fast and intricate playing. The all-too-short "Camino" is extensively a trio piece and beautifully realized by Sanguinetti's folksy infusion of the harmonium. Equally striking is "La ventana" featuring a mesmerizing Spanish language vocal from Victoria Zotalis. Sanguinetti keeps the program open to freer thinking as well in pieces such as "San Telmo" with its slurred, off-kilter strings and spoken word overlay and "Claramente" where Mariano "Manza" Esain's blistering rock guitar eviscerates the preceding lyricism.

As technically gifted as Sanguinetti is, he is modest in his handling of solo time and doesn't favor pyrotechnics over composition. His distinctive vision and style are utilized to expertly lead or accompany the gifted set of musician around him as he weaves in and out of ballad, processional and open free style. 8 is full of unexpected phrasing and time changes skillfully negotiated by Sanguinetti and his highly engaged colleagues. More than in his previous outings Sanguinetti varies the dynamics and more finely articulates the group contribution. It's a successful approach and an appealing album for many diverse tastes.

Post a comment

Tags

Shop Amazon

More

Read Tongue In A Bell
Tongue In A Bell
Peter Brötzmann / Paul G. Smyth
Read Some More Jazz
Some More Jazz
Keys and Screws
Read Tbilisi
Tbilisi
Max Gerl

All About Jazz needs your support

Donate
All About Jazz & Jazz Near You were built to promote jazz music: both recorded and live events. We rely primarily on venues, festivals and musicians to promote their events through our platform. With club closures, shelter in place and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. This is a significant but neccesary effort that will help musicians now, and in the future. You can help offset the cost of this essential undertaking by making a donation today. In return, we'll deliver an ad-free experience (which includes hiding the bottom right video ad). Thank you.

Get more of a good thing

Our weekly newsletter highlights our top stories and includes your local jazz events calendar.