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2014 Voodoo Music and Arts Experience: The Local Heroes & The Up-And-Coming Stars of Tomorrow

Mike Perciaccante By

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2014 Voodoo Music and Arts Experience
New Orleans, LA
October 31 -November 2, 2014

In 1974, after seeing a performance at the Harvard Square Theater, Jon Landau once wrote, "I saw rock and roll future, and its name is Bruce Springsteen. And on a night when I needed to feel young, he made me feel like I was hearing music for the very first time." What a bold, prophetic and accurate statement. Now, forty years later a similar statement could be made about Trombone Shorty (Troy Andrews). Trombone Shorty is the future of musical fusion. He mixes elements of all musical genres.

His 2014 Voodoo performance on the Ritual Stage on Sunday, November 2, was a rocking mélange of pop, blues, R&B, jazz, funk, brass, hip-hop and good old-fashioned rock 'n' roll. According to his website, Shorty calls his style "SupaFunkRock." As Landau stated about Springsteen so long ago, Shorty makes the listener feel like he or she is "hearing music for the very first time." Quite a heady statement. It is, however, more than that. Talent courses through his veins and the veins of his family members. His grandfather is the late Jessie "Ooh-Poo-Pah-Doo" Hill. His brother is trumpeter James "Satchmo of the Ghetto" Andrews. His cousins are trombonist/vocalist Glen David Andrews and the Rebirth Brass Band's Derrick Tabb. That's quite the pedigree. DNA is one thing, but individual talent is quite another. Shorty is an amazing player and singer. As a performer he is unparalleled. His vitality, energy and charisma is infectious.

His Voodoo performance and that of his band, Orleans Avenue, was astonishing—even for those familiar with the New Orleans legend. It was a musical onslaught. Shorty played trombone and trumpet, danced across the stage and sang. A quadruple threat, Shorty and his band were clearly "in the zone" and enjoying the performance just as much as the audience. The band played flawlessly. Highlights of the tour-de-force performance included a number of energetic and lively instrumentals, "The Craziest Things," the cover of Green Day's "Brain Stew" and "Fire and Brimstone." Trombone Shorty has a presence about him. He is a rockstar, though he doesn't act like one. And, he is humble. His talent outshines his unassuming attitude. He truly is the future of fusion.

Following Trombone Shorty, the festival's headliners Foo Fighters took the Ritual stage. Introduced by former New Orleans Saint safety and ALS sufferer Steve Gleason (who had introduced the 2013 festival headliners Pearl Jam), Foo Fighters performance was lengthy and legendary. After the band opened with "All Of My Life," lead singer Dave Grohl interspersed the band's hits-filled performance with tales about his travels through New Orleans and his love of the city.

He told a story about an encounter he had earlier in the day. He said, "You never take a day off before you play in New Orleans because you go out and have too much fun, and you have to work in the evening...I was walking through the French Quarter about three hours ago. I walked into a bar and these three old ladies asked me, 'Will you do a mind eraser with us?' I said 'No' and the whole bar booed. So I did it, then I walked in here tonight feeling just right." He told also told another story about shopping at Rite Aid for the pants that drummer Taylor Hawkins was wearing and proudly showed off to the audience. He also asked, "Ever see a Foo Fighters show? You know, we keep playing until they kick us off the stage. So tonight we're going to play some new songs and some old songs and play until they make us stop." And they did.

Highlights of Foo Fighters' set included: "This Is A Call," "My Hero," "Ain't Talkin' 'bout Love" (a cover of the Van Halen rocker), "Something From Nothing," a cover of Tom Petty's "Breakdown," Queen's "Under Pressure," and the closing song "Everlong." The evening's highlight was when Grohl brought Trombone Shorty out on stage with him to perform "This Is a Call." The incredible performance, which featured a dynamic trombone solo during an extended instrumental interlude, was so electrifying that people were commenting that the hair on their arms was tingling.

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