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2012 Voodoo Experience: New Orleans, Louisiana, October 26-28, 2012

2012 Voodoo Experience: New Orleans, Louisiana, October 26-28, 2012
Mike Perciaccante By

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2012 Voodoo Experience
City Park
New Orleans, LA
October 26-28, 2012

While an epic and catastrophic storm bore down on the Northeast coast of the U.S., a "storm" of another type descended upon New Orleans (a city not unfamiliar with catastrophic storms). New Orleans' 14th Voodoo Experience was a musical celebration featuring world-class food, art and interactive opportunities scattered throughout the city's fabled City Park.

The festival amusement park area included a Ferris wheel, the Ring of Fire and others. Performance artist Marcus Brown's electronic art installation project was set up just inside the gates. When revelers walked across the installation, Brown's walkway produced musical sounds, samples and loops that—depending upon weight, length of time it took the person to jump, slide, or walk across—melded into a musical gumbo that caused jaws to drop. It was not unusual to see people walk across, turn around, walk back and try it over and over.

As in past years, a marching band—the Noisican Coalition—roamed the grounds of the festival, giving numerous performances while providing the attendees with a New Orleans-influenced second line that played on self-made instruments: modified horns, household objects, percussive instruments and drums. The funky ensemble was a treat that caused festival veterans and neophytes alike to stop in their tracks and snap pictures. Additionally a fire-breathing robot rolled up and down the festival area's paved roads to a funky techno beat.

The festival's five stages (Le Ritual, Le Plur, WWOZ, Preservation Hall and SONY) were graced by artists playing almost every genre of music imaginable. The biggest draws were some of the music industry's bestselling artists and/or critical darlings such as: Neil Young & Crazy Horse, Metallica, Jack White, The Avett Brothers, Silversun Pickups, Gary Clark, Jr., Skrillex, Nas, Coheed & Cambria, Kaskade and NERVO. In addition, earlier in the day the side stages, as well as the main stages, featured acts that may not currently be well-known, may not have a national footprint or are just on the cusp of a national breakout.

Day 1: Friday, October 26th

Day 1 of the festival was jam-packed with performances by Gary Clark, Jr., the Avett Brothers and Neil Young & Crazy Horse on the (main) Le Ritual Stage; The TBC (To Be Continued) Brass Band, Little Freddie King, the 101 Runners and Paul Sanchez &The Rolling Road Show on the Preservation Hall Stage; Andy Suzuki & the Method, CC Adcock & the Lafayette Marquis, Delta Rae, George Porter & the Runnin' Pardners and Bootsy Collins on the WWOZ stage; Thomas Dolby, Supagroup and Say Anything on the SONY Stage; and finally Force Feed Radio, NERVO and Kaskade on the Le Plur Stage.

Friday was the warmest day of the festival. As the beautiful sunshine beat down on the park, New Orleans' own TBC Brass Band took the Preservation Hall Stage. The sparse crowd in attendance at the beginning of its set increased as the funkified performance progressed. By the end of the show, the crowd was whooping it up and dancing in front of the stage and on the benches stationed next to, and around, the soundboard. The band's set of favorites included brass band versions of Hank Williams' "Jambalaya (On The Bayou)," the Beatles' "Come Together" and Sly & the Family Stone's "Everyday People."

On the WWOZ Stage Brooklyn, NY's Andy Suzuki & the Method were busy laying down some blue-eyed soul with a bluesy rock edge. Their sound was a little like Ben Fold meets Billy Joel, further enhanced by a fiddle and djembe (an African hand drum). Announcing that it had flown in from New York that morning, the band was warmly greeted as it played "Her Ghost," "Take Care Of Me" (which Suzuki explained "got a huge reception during our tour of Southeast Asia"), and "Over Under."

As Suzuki and his cohorts were finishing up, the Preservation Hall Stage came to life with the electric blues of Little Freddie King. With a performance that was both aural and visual, he did his traditional duckwalk across the stage and was joined by Guitar Lightnin' Lee as they traded off lead guitar riffs. King's set was fueled by a great version of "Bright Lights, Big City," some James Brown riffs from "Sex Machine," "Bony Maronie" and other blues classics.

C.C. Adcock & The Lafayette Marquis, with its mixture of electric instrumentation and a standup bass, delivered a barn-burning set of boogie-and-roll swampy blues. Adcock had the audience in the palm of his hand as he bopped across the stage as he played with a flourish and dedicated his personal performance to Earl King. Highlights included "Maison Creole" (originally heard on HBO's True Blood) and "Fool To Care" (which was dedicated to Art Neville).

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