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When a jazz ensemble at a relatively small college sounds as sharp as this one, you know the director is making the right moves. Three cheers to Dan Keberle, the guiding force behind the Whitworth College ensemble from Spokane, WA, and a big hand for the ensemble itself, which takes Keberle's cues and translates them into big band jazz of the highest quality.
Keberle's kids (in one case, literally) recorded this album in April 2004, two months after earning a blue ribbon at the annual Lionel Hampton Jazz Festival, their fifth in eight years. They're certainly in blue-ribbon form here, playing with the sort of command and composure that belies their comparative youthfulness. The ten instrumental tracks complement a pair of nondescript vocals by Keberle's daughter Jessica ("You'd Be So Nice to Come Home To,"? "This Can't Be Love"?). Sorry to have to say thatI'm sure dad won't be pleased to hear itbut integrity demands an honest appraisal.
Everything else is Grade A, with special praise for guitarist Mike Frederick, who solos marvelously on "Softly as in a Morning Sunrise,"? "My Shining Hour,"? "You Don't Know What Love Is"? and "Limehouse Blues,"? sounding at times like a cross between Jim Hall and Wes Montgomery. Tenor Nick Timoshuk is splendid on his feature, "You've Changed,"? and there are agreeable solos elsewhere by trumpeters Brendan O'Melveny, Josh Shelton and Eric Nielsen; alto/soprano Chris Parkin, baritone Claire Thames, trombonists Peter Hatch and Crystal Hayes, pianist Eric Hjelt and drummer David Sloan.
The album includes two originals, Keberle's "Down Under"? and Bret Zvacek's "It Might Be You."? The rest is from the Great American Songbook, with heavy-duty charts by Keberle, Matt Harris, Quincy Jones, Mark Taylor, Tom Matta, Rob Tapper, Tom Molter and Ryan Keberle, none of which pose any problems for Keberle's strapping crew. A blue-chip recording by an impressive ensemble that is worthy of every award it earns.
Track Listing: Softly as in a Morning Sunrise; Moanin; My Shining Hour; Youd Be So Nice to Come Home To; Youve Changed; Limehouse Blues; This Cant Be Love; You Dont Know What Love Is; Stella by Starlight; Down Under; My Funny Valentine; It Might Be You (58:38).
Personnel: Dan Keberle, director; Kevin Swisher, Brendan OMelveny, Josh Shelton, Eric Nielsen, Lars Olson, Alyssa Marshall, trumpet; Chris Parkin, Jon Pritchard, alto sax; Nicholas Timoshuk, Paul Young, tenor sax; Claire Thames, baritone sax; Crystal Hayes, Peter Hatch, Greg Hoff, Charlie Nelson, trombone; Erik Hjelt, piano; Mike Frederick, guitar; Charlie Shepherd, bass; Chris Teal, David Sloan, Paul Lack, drums, congas; Jessica Keberle, vocals.
I love jazz because it mixes intellect and emotion in a very spontaneous way.
I was first exposed to jazz by liberating a Coltrane and a Pharoah Sanders record from a friend in NYC and listening to them over and over until I got it.
My advice to new listeners is you have to take the time to listen to some jazz tunes a number of times until it starts to make sense.