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Blue Collar's oddly titled debut recording is a demonstration of how to avoid the ordinary. The musicians, all virtuosos, eschew every convention of music here, opting for displays of "extended technique"? or inspired noisemaking. Not until track five do the excellent brass players deign to play actual notes. They do grunt, huff, puff, squeal and produce just about every other possible sound. Tatsuya Nakatani complies and complements, pulling from a voluminous bag of percussive textural effects.
_ is an Apparition is at times unsettling listeningthere isn't a pretty, soothing or foot-tapping nanosecond, but Nate Wooley (trumpet), Steve Swell (trombone), and Nakatani (drums) have produced a work that seeks the outer limit of acoustic music possibilities and seems to have found it. The remarkable thing is, aside from the fact that they had the courage to go this far, they seem to feel comfortable out here, miles from the mainstream. It's somehow bracing to hear pure daring in sound.
I've been a solid admirer of Swell's for some time and am growing more impressed by Wooley with each performance absorbed. Nakatani is a unique, searching percussionist. Catch these players in one of their many live appearances, together or separately, to hear creative music at its highest level.
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...