might open a show for Santana or Cream; music wasn't ghettoized. Kirk's music comes to mind often here. He opens with the bawling, two-horn (Julio Monterrey on alto) "Eye Of Rico," a hurricane song that howls itself into the calm eye provided by pianist Jesse Elder
. The pianist is a proper foil for Parker, as the pair co-lead The Candy Shop Boys, a burlesque, cabaret, vaudevillian act. The saxophonist has an appreciation for the irreverent. On "Alien Baby," he mixes bits of Albert Ayler
's Lounge Lizards, he regards this music as a pageant. That means fun. He plays in a duet with tap dancer Jimmy Sutherland on "WPT" and creates a circus sing-a-long waltz on "Zeynep's Piano" with a small cast of exuberant children. His one cover, "Darn that Dream," a duo with Monterrey, merely hints at the melody. The music here is more folk than metro. He adopts handclaps and percussion on an African inspired "Up And Down" and his "New Bossa" (played twice here) has the flexibility to be both a sentimental saunter or a sardonic sizzler. The saxophonist sounds comfortable promenading down multiple paths.
Track Listing: Eye Of Rico; I Can't Help It; Lists; WPT; New Bossa; Up And Down; Alien Baby; Darn That Dream; Full Sun; Zeynep's Piano; New Bossa (Reprise).
Personnel: Matt Parker: tenor and soprano saxophones; Jesse Elder: piano (1-5, 7,9,11); Josh Mease: guitar (1-5, 7,9); Alan Hampton: bass (except 8,11); Reggie Quinerly: drums (except 8,11); Julio Monterrey: alto saxophone (1, 3-9); Mikkel Hess: drums (6); Jimmy "Taps" Sutherland:
tap dance (4); Zeynep, Noah, Bora, Ezra, Charney, Sharon, Shana Bromberg: vocals (10).