Published since 1998
Contrary to occasionally voiced queries, Derek is not the Beatles' former publicist.
There are points were Spearman seems to lag a little in his inventions and rely on slow, raspy tones in order to perhaps catch a breath. But rather than being a reflection of any deficiency these moments, which feature the brawny tenor in a reposeful guise, are often just as stunningly conceived as the more animated episodes. One of the most stimulating things about the set is the measured and relaxed way in which the two players converse. Nothing is hurried or left out for the sake of efficiency and it’s a valuable opportunity to hear two passionate minds in the midst of sensitive creation. “Legato” and “Sitting In” are arguably the best examples of the pair’s harmonic solidarity where the oaken sonorities of Duval’s bow match Spearman’s dusky tone perfectly. Likewise “Sass Bolo” and “Senortolo,” which are solo features for their respective instruments, offer an interesting respite from the dialogue as well as unadorned glimpses into each player’s own individual creative processes. Those listeners familiar with Spearman who approach this recording expecting his more ebulliently ecstatic side will probably be surprised by the temperance inherent in much of his work here. Some of the music may seem more sedate on the surface, but none of it is any less joyous or life-affirming in execution. The difference makes this disc an important addition to the body of work that stands as lasting testament to Spearman’ everlasting imprint on improvised music.
Tracks:Step Up/ Series Series/ Augh Oh/ Legato/ Sass Bolo/ Zantackin Down/ Call Separation/ Sitting In/ Senortolo- Back By the Bay.
Players:Glenn Spearman- tenor saxophone; Dominic Duval- bass.
Recorded: July 20 & 21, 1998, Rossie, NY.
CIMP recordings are available directly through North Country Distributors- http://www.cadencebuilding.com
Record Label: CIMP Records
Style: Modern Jazz
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