Home » Jazz Articles » Album Review » Bobby Wellins: When the Sun Comes Out

199

Bobby Wellins: When the Sun Comes Out

By

Sign in to view read count
Bobby Wellins: When the Sun Comes Out
It's a cliché of jazz commentary that live is best, yet frequently the recorded evidence of a recalled performance can be disappointing. The impact of atmosphere, personal mood and other extraneous factors in enhancing the enjoyment of a concert can often be overlooked.

When the Sun Comes Out was recorded at the Appleby Jazz Festival in July, 2005. I was lucky enough to be there and was delighted to find this recording lived right up to my pleasant memories. It catches Bobby Wellins' quartet in a relaxed setting, where musicians are given the opportunity to stretch out in substantial sets, without the pressure to clear the stage for a subsequent star name. Listeners might visualise a stereotypically late-night jazz session; it actually took place around midday! Clearly marvellous jazz does not need darkness (or thick smoke) to bring out the highest standards of performance.

The recording opens with "Festival Blues," a nicely loping mid-tempo warmup that quickly takes flight. "Monk's Mood is a gem. After a short theme statement, Wellins explores a lovely melodic line, holding the listener's attention throughout his solo. Both pianist Mark Edwards and bassist Andy Cleyndert contribute their own lyrical improvisations before the return of the theme. "Mad About the Boy has a mid-paced Latin lilt, with Edwards leaping into a forceful initial solo, supported by a constantly shifting backdrop from bass and drums. Following Wellins' beautiful variations, Wells contributes a drum solo packed with interest.

With "When You Wish Upon a Star we're in the world of the '64 Miles Davis Quintet, recorded on My Funny Valentine and Four and More. There's glorious ballad playing from all, but with tempos shifting at different points in the tune, maintaining a constant freshness. Cleyndert and Wells are simply marvellous, never letting the music settle, always keeping the front line challenged. The shorter "Fascinating Rhythm takes the tune at a crisp pace with unusual accents, stabbing piano rocketing Wellins into his most muscular performance of the set. Wells is again outstanding here. The title track brings out that throaty tone for which Wellins is best known. What at first sounds like a ballad soon evolves into a rugged blues, with a remarkable Cleyndert solo at the end.

The high standard of the recording deserves mention. This is one of a growing number being put out by Andrew Cleyndert's Trio label, documenting the current music of players like Wellins, Stan Tracey, Don Weller and Peter King.

Although Wellins has put out some enjoyable discs in recent years, When the Sun Comes Out really does stand out. Those other studio efforts tend to contain more tunes, with less room for development. The chance to explore melodies at length and the presence of a crack band at a festival of admirers has resulted in a superb CD. If you only know Wellins from Under Milk Wood, then check this one out.

Track Listing

Festival Blues; Monk

Personnel

Bobby Wellins
saxophone, tenor

Bobby Wellins: tenor saxophone; Spike Wells: drums; Mark Edwards: piano; Andrew Cleyndert: bass.

Album information

Title: When the Sun Comes Out | Year Released: 2006 | Record Label: Trio


< Previous
Brightness of Being

Next >
Chet

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Shadow
Lizz Wright
Caught In My Own Trap
Kirke Karja / Étienne Renard / Ludwig Wandinger
Horizon Scanners
Jim Baker / Steve Hunt / Jakob Heinemann

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.