's long-time pianist, Laurence Hobgood, is no stranger to leading a recording session. He has released four previous recordings on Naim Jazz in the last 10 years. He is a durable pianist, a bit of a cross between Red Garland
and George Winston, with a smidge of Bill Evans
thrown in for seasoning. On When the Heart Dances
, Hobgood duets with bassist Charlie Haden
and is joined by Elling on three of the eleven selections.
The jazz duet is enjoying a renaissance. Recent duet recordings include Eddie Daniels
and Roger Kellaway
's A Duet of One
(IPO Recordings, 2009) and Bill Anschell
and Brent Jensen
's We Couldn't Agree More
(Origin Records, 2009). The format provides the most intimate of environments in which to play. The pairing of Hobgood and Haden is an inspired one. The two have a synergy that is oak-organic and diamond hard.
The Doris Day ditty "Que Sera Sera" gets Hobgood's attention and is turned into a deep improvisation where the melody is almost nowhere to be found, like Charlie Parker
's famous "Embraceable You." Haden's bass is unadorned, notes chosen and played impeccably. Each note Haden plays carries the DNA of jazz from Ornette Coleman
's Free Jazz
(Atlantic, 1961) to Quartet West. Haden is beyond flash; he is about distillation of tone and ideas.
Hobgood shows his entire hand on the solo original "Sanctuary." Here, instead of improvising from a standard or jazz composition, Hobgood creates an American palette that is a cross between piano gospel and New Age. Elements of these are present in all pieces but are fully realized here. The Elling recitals"First Song," "Stairway to the Stars" and "Daydream"receive a subdued treatment from Elling, who sings them straight with his deep, resonant voice. There is little fault with this quirky, beautiful recording that is delightfully off the beaten path.
Personnel: Laurence Hobgood: piano; Charlie Haden: double-bass; Kurt Elling: vocals.