Published since 1997
A former newspaper writer / editor who has been writing about jazz for more than twenty years.
Before scanning Terry’s feedback, here is some of what I had to say in the review:
“There’s no information about [Perry] in the liner notes, so what we hear is what we get; don’t even know why he wears a patch over his left eye. What we do know is that Perry’s no amateur; he must have learned to sing that well somewhere. But the details of his odyssey have to remain a mystery, at least for now. Even so, I’m sure we haven’t heard the last of Mr. Perry. He’s the real deal. Oh, and so’s his back-up crew, even though this isn’t actually the ‘Woody Herman Orchestra’ but a small part thereof . . . chaperoned by some of the Chicago area’s most in-demand sidemen, a number of whom have solid big-band experience of their own. In other words, this may not be undiluted Woody but it sure sounds like his band.”
Terry Douds writes:
“I found your review of Brienn’s album very interesting. There’s not a lot of background info in the liner notes [none, in fact] . . . you’re correct there . . . but try going to Brienn’s web site, www.briennperry.com, where you’ll find some of the info . . . although having played with Brienn for three years now, I don’t know [anything] about the patch either . . . I just never asked.
“Your comment about it not ‘really’ being Woody’s band backing him up was interesting . . . I’ve been with the band (as the Legacy Herd) since 1995; most of the players here are ‘regulars’ as well. As for your comment about the others being Chicago locals, that’s true but also part of the band! Tom Matta has been playing [with Woody’s band] longer than I have; Wojo [saxophonist John Wojciechowski] is a recent addition to the Chicago landscape but has been with the band since ’99 or 2000; [trumpeter] Rob Smith goes back before ’95 (though he resides in Michigan); [trombonist] Paul McKee has been a fixture on the band for years, even though he was calling Chicago home for a long time (instead of Iowa, where he is now); [trumpeter] Scott Wagstaff also hails from the ’80s bands, [trombonist] Tom Garling since 2000 or so. [Trumpeter] Mike Plog is another recent Chicago addition, but has been playing [with Woody] since ’96, when he was still in Milwaukee; Roger Ingram [lead trumpet] is from the ’80s bands.
“Basically, Woody’s band is somewhat ‘regionalized’ since his passing, i.e., as the bassist, they won’t fly me out west unless it’s a big deal, as there are other alumni in that area (less expensive travel); same situation in the South with Lynn Seaton and Chuck Bergeron in Texas and Florida. I tend to do the Midwest and East (sharing the East with Todd Coolman and Darryl Hall). Drummers [have] a similar scenario Bob Rummage was on the band before I came on, though as we move farther east it’s often Jim Rupp, Dave Ratajczak, John Riley or others. Alumni fill most of the chairs these days; we did have an extra reed player to handle the alto chair for Brienn’s charts (since Woody’s is a ‘tenor band’) but basically, it sounds like Woody’s band because it is Woody’s band! We really do play together a good bit not 24 / 7 / 365 like the days on the bus, but probably 80-plus dates a year . . .
“On European trips it’s generally a pick of the various regions depending on people’s schedules etc. For example, Chuck Bergeron has been [the bassist] on the European band during the time I’ve been on, but I did the ’98 Scandinavian tour, and Spain in 2000. I also did one of the ‘boat trips’ on the Norway in ’98; in fact, Brienn first hooked up with the band on one of those ‘boat trips.’ Rummage did the European tour in ’97, while Rupp handles most of the ‘regular’ European work.
“If you’re not a member, consider joining the Woody Herman Society, which has a quarterly publication called ‘The Herds.’ It has tons of info about the alumni . . . as well as articles and reviews [about] the 1st, 2nd and 3rd Herds as well as the current Legacy Band.
“In any event, thanks for the nice review I think it’s a pretty wonderful disc, and sounds really great! Tim Powell, Metro Mobile’s engineer, did a great job of capturing the band live and it shows.!”
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