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James Carney Group: Ways & Means (2009)

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James Carney Group: Ways & Means It's good to see the jazz community is not shying away from pressing political and social issues of the day. Guitarist Brad Shepik
Brad Shepik
Brad Shepik

guitar
, with his Human Activity Suite (Songlines, 2009), and drummer Alex Cline
Alex Cline
Alex Cline
b.1956
drums
, with Continuation (Cryptogramophone, 2009), have both made musical pleas for the environment in 2009, following in the socially conscious footsteps of Max Roach
Max Roach
Max Roach
1925 - 2007
drums
, Charles Mingus
Charles Mingus
Charles Mingus
1922 - 1979
bass, acoustic
and Charlie Haden
Charlie Haden
Charlie Haden
1937 - 2014
bass, acoustic
, among others.

With Ways & Means, keyboardist James Carney aggressively confronts this century's first major economic crisis. Conceived as "a virtual film score—not reliant on any images to tell its tale," Carney and his group stir a bitch's brew, adding scoops of squawks and shrieks, and doses of well-chosen space, projecting a picture of turmoil, clatter and decay. Sweeping cinematically from the bray of group improvisation to solo, often mournful, statements of individual experience, the Carney Group covers the full spectrum of the recession and its impact at global, national, regional and familial levels.

The opener, "Nefarious Notions," sounds a "Taps"-like hymn on trumpet, soon warped and overtaken by a tuneful group effort that, in turn, bends into backroom proclamations, most notably in the desperate argument of saxophonist Tony Malaby

Tony Malaby
Tony Malaby

sax, tenor
. If this is cinema, it points to the early films of Andrzej Wajda, where a narrator tells spectators from the start that the characters they see on screen will soon die. Housed within this opening tune is the specter of subprime lending, credit default swaps and exorbitant CEO salaries, ever rising like a volcano set to explode and shower us with foretold disaster.

The fallout follows quickly. In "Squatters," a stirring, multifaceted take on urban blight, Carney introduces electric pangs and demands into what begins on a melodic, if not altogether hopeful, theme. Such tones of advancing technology drive the acoustic instruments into a fitful scramble to catch up. Peter Epstein

Peter Epstein
Peter Epstein
b.1967
sax, sopranino
's saxophone and Ralph Alessi
Ralph Alessi
Ralph Alessi
b.1963
trumpet
's trumpet bitch and crow for the common man, who sees what little he has being sucked away by the machine.

"Champion of Honesty," the first of three tracks credited as freely improvised group compositions, moves the story into more frightening chaos. Electronic blips and buzzes battle moans bowed from Chris Lightcap

Chris Lightcap
Chris Lightcap
b.1971
bass
's bass, manipulated vocal grunts and horn blasts before the whole expands into the outer-space drift of "Onendaga." The remaining free improvisations, "The Business End" and "Pow Wow," bookend a four-tune progression that drifts through the stagnant, polluting space of "Business," rises into the Emerson, Lake & Palmer synth drive of "Legal Action," succumbs to the bitter-sweetness of the horn-heavy lament "Fallout," with its Shostakovich-like underpinnings, and falls into the final crash and bleeps of "Pow Wow," which might be said to end the movie.

The closing "Gargoyles," which Carney dedicates to his late friend and drummer Dan Morris, serves more as a coda: a personal tribute to an inspiration that drives Carney's life and music. But, on a wider scale, it is perhaps also a final, pondering gaze at the granite monsters we as a society have allowed to be constructed to lurk above us.


Track Listing: Nefarious Notions; Squatters; Champion of Honesty; Onendaga; The Business End; Legal Action; Fallout; Pow Wow; Gargoyles.

Personnel: Peter Epstein: soprano and alto sax; Ralph Alessi: trumpet; Tony Malaby: tenor sax; Josh Roseman: trombone; James Carney: acoustic and electric piano, analog synth, glockenspiel; Chris Lightcap: contrabass; Mark Ferber: drums.

Record Label: Songlines Recordings

Style: Modern Jazz


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