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Vibin': Jay Hoggard, Joe Baione, Ken Fowser/Behn Gillece, Mark Sherman & Roy Ayers

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Jay Hoggard

Soular Power

JHVM

2009


Joe Baione

Oh Yeah!

self-published

2009


Ken Fowser/Behn Gillece

Full View

Posi-Tone

2009


Mark Sherman

Live @The Bird's Eye

Miles High

2008


Roy Ayers

Ubiquity

Verve

2009


The vibraphones often create the über-cool "lounge" sound at cocktail parties but don't pigeonhole the instrument as a gimmicky mood inducer. Legends like Lionel Hampton, Milt Jackson, Cal Tjader and Bobby Hutcherson inhabit the pantheon of the instrument's alltime heroes. Not surprisingly, myriad players inspired by those greats are doing their best to join that impressive list. Five new releases featuring three vets, a legend and a newcomer prove that the list might begin to grow soon.

Jay Hoggard
Jay Hoggard
Jay Hoggard
b.1954
vibraphone
continues his prolific streak as a leader with Soular Power. With support from James Weidman (piano/organ), Belden Bullock (bass) and Yoron Israel
Yoron Israel
Yoron Israel

drums
(drums), the session features 11 of his own compositions and one standard ("On a Clear Day"). That classic Lane-Lerner tune stands out as one of the most enjoyable numbers, the interplay between the leader and Weidman recalling the collaboration of Bobby Hutcherson and Larry Young on the Grant Green album Street of Dreams.

Benny Golson protégé Joe Baione
Joe Baione
b.1971
vibraphone
delivers his second album as a leader with Oh Yeah!, a happy, up-tempo set perfect for the summer jazz season. Baione leads an inspired combo featuring Toru Dodo
Toru Dodo
Toru Dodo

piano
(piano), Jorge Castro (tenor sax), Andrae Murchison (trombone) Corcoran Holt (bass) and drummer Jerome Jennings. They run through three standards: a funky arrangement of "All Blues," a very low-key "Prelude to a Kiss" and a tribute to one of the instrument's pioneers, Milt Jackson's "Bag's Groove". The leader's penchant for Latin and Caribbean rhythms surfaces on the songs "'J' Bossa" (which he arranged with his clarinetist father) and "Coconut Island". The latter sees Baione switch to the marimba, resulting in a tropical experience highly reminiscent of "St. Thomas".

The most challenging of the five new releases is vibraphonist Behn Gillece's Full View, co-led with tenor saxophonist Ken Fowser
Ken Fowser
Ken Fowser
b.1982
sax, tenor
. Accompanied by David Hazeltine
David Hazeltine
David Hazeltine
b.1958
piano
(piano), Adam Cote (bass) and Paul Francis (drums), these newcomers exude a chemistry reminiscent of Dexter Gordon and Hutcherson on Gettin' Around. Gordon is no doubt an influence on Fowser's round, warm tone that mirrors that of the "long tall" legend. Gillece also pays homage with his brisk, slightly modal "The Hutch". The complex, polyrhythmic number includes focused soloing from the whole team.

At one point, Mark Sherman
Mark Sherman
Mark Sherman
b.1957
vibraphone
aspired to be a drummer. Known as a disciple of Elvin Jones, he was drawn to the vibes and the instrument soon gained a new virtuoso worthy of Hampton, Hutcherson and Jackson. Recorded in Basel, Switzerland, Sherman's double live album Live @ The Bird's Eye supplies nearly two hours of great straight-ahead jazz, mixing Sherman originals with a few standards. The group isn't afraid to improvise; many of the tunes go beyond ten minutes, but you're guaranteed not to mind. The leader gets top-grade support from Allen Farnham
Allen Farnham
b.1961
(piano), Dean Johnson (bass) and Tim Horner (drums).

After he'd established himself in the late '60s as one of the top vibraphonists in exploratory soul jazz and right before he recorded one of the all-time greatest "blaxploitation" soundtracks with Coffy in 1973, Roy Ayers
Roy Ayers
Roy Ayers
b.1940
vibraphone
made a major impression in 1971 with Ubiquity. Here Ayers commands a larger ensemble than what had become his typical quartet and lays down a combination of funky instrumentals and more commercially-bent vocal numbers. Along with an airy interpretation of "Raindrops Keep Fallin' On My Head," highlights include a handful of tracks where Ayers employs a fuzz box; normally used as a guitar accessory, it really comes in handy on the appropriately titled scorcher "The Fuzz". As all five of these albums clearly illustrate, it's a good time to be a fan of the vibes.

Tracks and Personnel



Soular Power

Tracks: Happy to Be Happy; On a Clear Day; Soular Power; You're in My Heart All the Time; Blues Bags; Sweet Potato; Convergence of the Niles; Overview; God Will Guide; The Little Tiger; Mystic Winds/tropic Breezes; Prayin' Out Loud.

Personnel: Jay Hoggard: vibes; James Weidman: piano/organ; Belden Bullock: bass; Yoron Israel: drums.



Oh Yeah!

Tracks: Oh Yeah!!!; Down Fuzz; The Stranger; Bag's Groove; ''J'' Bossa; Prelude To A Kiss; Coconut Island; All Blues; Oh Yeah!!! (Alt Take).

Personnel: Joe Baione: vibes; Toru Dodo: piano; Jorge Castro: tenor sax; Andrae Murchison: trombone; Corcoran Holt: bass; Jerome Jennings: drums.



Full View

Tracks: Bittersweet; The Hutch; Act Of Disguise; Soul Eyes; Two Pair; Just In Time; Crisis Averted.

Personnel: Ken Fowser: tenor saxophone; Behn Gillece: vibraphone; David Hazeltine: piano; Adam Cote: bass; Paul Francis: drums.



Live @The Bird's Eye

Tracks: CD 1: Tip Top Blues; The Winning life; Trust; Hope; Hardship. CD 2: Explorations; You Don't Know What love Is; There Is No Greater Love; Tip Top Rhythm; Moon River.

Personnel: Mark Sherman: vibraphone; Allen Farnham: piano; Dean Johnson: bass; Tim Horner: drums.



Ubiquity

Tracks: Pretty Brown Skin; Raindrops Keep Fallin' on My Head; I Can't Help Myself; Love; The Fuzz; Hummin'; Can You Dig It?; Painted Desert; He Gives Us All His Love.

Personnel: Roy Ayers: vocals, vibraphone; Edwin Birdsong: vocals, organ; Richie Resnicoff: guitar; Harry Whitaker, Bill Henderson: electric piano; John Williams: electric bass; Alphonse Mouzon: drums; Jumma Santos: conga drum.

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