Amazon.com Widgets

Tony Marcus: Vanishing Point (2010)

By Published: | 2,988 views
Tony Marcus: Vanishing Point How we rate: our writers tend to review music they like within their preferred genres.

There are two ways to look at San Francisco-based guitarist-singer-song-writer Tony Marcus. The first is in the light of which guitarist-singer-songwriter he most closely resembles, Antonio Carlos Jobim
Antonio Carlos Jobim
Antonio Carlos Jobim
1927 - 1994
piano
; he could arguably be called the American Jobim, in fact. The second way is as a musical sommelier, one who knows music and all of the art that exists around it. Marcus is like Jobim in that his composing skills are superb, and he possesses the ability to express using different musical languages. As a lyricist, Marcus tends to be too smart (rhyming "maelstrom" with "Hails from") which is part of his charm. His sharp intelligence is self-deprecating and amiable.

As a musical sommelier, Marcus goes from the early 1920s style of "Lost World" to Le Hot Club du Paris on "That Summer" to 1970s balladry on "April 18, 1906." He prefers older styles as vehicles for his piquant lyrics and seasoned and wonderful voice. And speaking of that voice, Marcus' vocal talent is every bit a natural wonder as Rod Stewart

Rod Stewart
Rod Stewart
b.1945
vocalist
's voice. Marcus' voice is more unique than pretty, reedy and attractive in that imperfect way that makes for good narrators and singers. Think of a more refined Tom Waits
Tom Waits
Tom Waits
b.1949
vocalist
crossed with Randy Newman
Randy Newman
Randy Newman
b.1943
piano
... yes, that might be close.

The music on this recording is colored broadly by Nova Devonie's accordion, giving a hint of Eastern Europe. Against this faraway backdrop, Marcus knits in Caribbean, New Orleans, Chicago, and, of course, San Francisco into his music. Highlights are the light-hearted "Miss Pizazz" and sharp "The Odd Get Even." The centerpiece of the album is the Great San Francisco Earthquake ballad "April 18, 1906," where Marcus shows Gordon Lightfoot should have cast "The Wreck of the Edmund Fitzgerald." This is music that requires attention for full appreciation and is amply rewarded for this attention.

Track Listing: Vanishing Point; That Summer; Miss Pizazz; City of Nets; Inevitability; Lost World; Devotional; The Odd Get Even; Waiting for Love; April 18, 1906; Your Eyes; City of Nets Reprise.

Personnel: Tony Marcus: vocals, acoustic and electric guitar, violin (4); Rene Worst: bass (1, 2, 3, 4, 5, 7, 8, 11); Markie Sanders: bass (9, 10); David Rokeach: drums; Nova Debonie: accordion; Paul Anistasio: violin (8); Jeff Sanford: tenor saxophone; Keith Sklower: oboe (4); The Instep String Quartet: Julian Smedley : violin; Benito Cortez: violin; Katrina Wreede: viola; Marcie Brown: cello (8); Particia Haan: harmony vocals (1); Michele Jordan: harmony vocals (9).

Record Label: Tuxedo Records

Style: Vocal


comments powered by Disqus
Support All About Jazz Through Amazon

Weekly Giveaways

Carmen Lundy

Carmen Lundy

About | Enter

Wadada Leo Smith

Wadada Leo Smith

About | Enter

Mort Weiss

Mort Weiss

About | Enter

Rotem Sivan

Rotem Sivan

About | Enter

Sponsor: ECM Records | BUY NOW

Enter it twice.
To the weekly jazz events calendar

Enter the numbers in the graphic
Enter the code in this picture

Log in

One moment, you will be redirected shortly.