The Riverside Community College Jazz Ensemble: Upside Out (2004)

By Published: | 3,719 views
No stars How we rate: our writers tend to review music they like within their preferred genres.

This album covers several years (exactly how many is unclear) in the life of the Riverside Community College Jazz Ensemble (and a trio, heard on three of the nine tracks). Charlie Richard, who directs the band and combo, has done a splendid job in bringing them along, as witness the ensemble’s first-place honors in every competitive Jazz festival it has entered and its first-rate interpretations here of demanding charts by Bob Curnow, Jack Cooper, Dan Gailey, Sandy Megas, Paul White and Bob Brookmeyer.

All save one of the selections, Brookmeyer’s eccentric “Nasty Dance,” were recorded in a studio. “Dance,” taped during an appearance at the University of Texas Longhorn Jazz Festival, features the only non-student performer, tenor saxophonist Jeff Ellwood, an RCC alumnus and faculty member. The well-built small combo, which performs Béla Fleck’s “Bumbershoot,” Bird’s “Donna Lee” and bassist Shane Jordan’s samba, “Wondering,” is comprised of Jordan, tenor saxophonist Jason Jamerson and drummer Chad Villareal. Jordan is especially impressive, displaying formidable chops, unflagging resourcefulness, and even doubling the melody behind Jamerson on the finger-busting “Donna Lee.”

The ensemble dashes smartly from the starting gate to confront Curnow’s shuffling arrangement of Lyle Mays’ “Are We There Yet?,” a showcase for alto saxophonist Gerry Whitaker, before moving on to Cooper’s fugue-like swinger, “Upside Out” (solos by tenor Bill Preci, trumpeter Brian Mantz), and Gailey’s solicitous arrangement of Rick Margitza’s meditative “Widow’s Walk” (Kelly Corbin, tenor sax; Josh Miller, guitar). Megas scored Lyle Mays/Pat Metheny’s breezy “Third Wind,” on which another fine guitarist, James De Prato, shares solo honors with Jamerson, this time on alto, and tenor Corbin. Chris Potter’s “Seven Eleven,” arranged by White, pursues a zig-zag course with craggy solos by Preci, Mantz and drummer Jon McCammon.

A consistently rewarding album by top-drawer college-level jazz ensemble and trio.

Track Listing: Are We There Yet?; Upside Out; Widow

Personnel: Everardo Aguilar (1-5, 9), Kinch DeGrate (9), Paul Karandos (1-5, 9), Tatsluya Koyama (3, 4), Brian Mantz (1, 2, 5, 9), Don Marino III (1, 2, 5), Carlos Villa (3, 4, 9), Kevin Young (3, 4), trumpet; Demetrius Patin (1, 2, 5, 9), Gerry Whitaker (1, 2, 5, 9), Jason Jamerson (3, 4), alto sax; Kelly Corbin (3, 4, 9), Jason Jamerson (1, 2, 5-8), Bill Preci (1-5, 9), James Reinbolt (1, 2, 5, 9), tenor sax; Travis Alegria (3, 4), Ionna Fleming (3, 4), Demetrius Patin (3, 4), Taylor Shiffermiller (1, 2, 5, 9), James Reinbolt (3, 4), baritone sax; Jaime Royal (4), piccolo; Dan Bigler (1-5, 9), Diane Bigler (3, 4), Rick Covarubias (3 ,4, 9), Frank Hickman (3, 4, 9), Joe Martinez (1, 2, 5), Marcos Rodriguez (1, 2, 5), Nicholas Terwilliger (1, 2, 5), Aaron Wharton (1, 2, 5), trombone; David Peoples (1, 2, 5, 9), Eric Von Pingle (3, 4), piano; James DePrato (4), Josh Miller (3), Eric Von Pingle (9), guitar; Bill Dickson (3, 4, 9), Shane Jordan (6-8), Ferrari Watts (1, 2, 5), bass; Steve Beltran (9), Jon McCammon (1, 2, 5), Dan Rocadio (3, 4), Chad Villarreal (6-8), drums; Michael Gaylord (3, 4), Anna Perrota (9), Angela Thomas (1), percussion.

Record Label: Sea Breeze Jazz

Style: Big Band


comments powered by Disqus
Sponsor: Summit Records | BUY NOW

Enter it twice.
To the weekly jazz events calendar

Enter the numbers in the graphic
Enter the code in this picture

Log in

One moment, you will be redirected shortly.

or search site with Google