Duke Ellington is quoted anecdotally as saying there are only two kinds of musicgood and bad. It's quite possible that, after experiencing Under the Spell of Spain, there might be yet another categorymusic magnificently defying description. Rest assured Superbrass' disc is very good; however, while it is not an entirely jazz-focused effortleaning heavily on the orchestral ensemble style Under the Spell of Spain defies any category other than: superb.
Comprised of some of the United Kingdom's finest orchestral and commercial players, Superbrass is a percussion-driven brass band that is just thatsuper, in every regard. Using a platform of beautifully scored medieval ("Como Podens Per Sas Culpas," "Dindirindin") and Iberian-tinged ("Tientos y Danzas") original selections, all delivered with just-this-side-of-fire, the group's performance is enthralling.
Royal Philharmonic bass trombonist Roger Argente leads other top-tier British players through their paces. From the first bass drum pounding and chordal announcements to the CD's closing chords, Superbrass soars through a performance that is reminiscent of the finest of film or programmatic music; there are musical stories to be told here. That's not a surprise, since Argente and other fine musicians in this stellar group are regulars on films such as Gladiator, the James Bond and Harry Potter films, and many others. These are studio chops performing and it showscon brio.
When collaborating on their classic Sketches of Spain (Columbia, 1960), Gil Evans and Miles Davis brilliantly integrated jazz elements, extended modal soloing and enhanced big band orchestrations with both fresh and classic Spanish selections, and it's similar here, on "Dulcinea." Trombonist Mark Bassey's bossa nova-like big band chart, "Donde el Mar Salude al Cielo," vaguely channels Antonio Carlos Jobim, while the album's overall production approach is highly theatrical on "Homenaja a Don Luis de Victoria" and terpsichorean with "Los Canarios."
The outstanding Under the Spell of Spain is, indeed, spellbinding, Rather than resorting to unnecessary cliché, Superbrass' spell entices, seduces and invigorates.
Track Listing: Como Poden Per Sas Culpas; Tientos y Danzas Movement 1; Tientos y Danzas Movement 2; Tientos y Danzas Movement 3; Tientos y Danzas Movement 4; Dindirindin; Fugatango; Air des Espagnoles; Donde el Mar Saluda el Cielo; Homenaje a Don Luis de Victoria; Los Canarios; Juanear; La Perla Negra; Dulcinea; Castles in Spain; Malaguena.
Personnel: Roger Argente: contrabass trombone, bas trombone; Mike Allen: trumpet; Philip Cobb: trumpet, flugelhorn, piccolo trumpet; Toby Coles: trumpet; Mike Lovatt: trumpet, flugelhorn; Jim Lynch: trumpet, flugelhorn; Paul Mayes: trumpet, flugelhorn, piccolo trumpet; Brian Thomson: trumpet, flugelhorn, piccolo trumpet; Adam Wright: trumpet; Chris Parkes: french horn, tenor horn; Matthew Gee: trombone, euphonium; Mike Hext: trombone; Phil White: trombone; Andy Wood: trombone; baritone; flugelbone; Kevin Morgan: tuba; Andy Barclay: percussion; Paul Clarvis: percussion;Michael Doran: percussion;Matt Perry: percussion;Frank Riccoti: percussion; Mike Smith: drum kit.
Why do I love jazz? Well, depending on what you mean by jazz, I can send an answer in any number of directions. Briefly, I was exposed to this crazy music as a little boy, my dad good friends with the local music store, where he bought sheet music to play from his baby grand
Why do I love jazz? Well, depending on what you mean by jazz, I can send an answer in any number of directions. Briefly, I was exposed to this crazy music as a little boy, my dad good friends with the local music store, where he bought sheet music to play from his baby grand. Their massive record collection, my parents taking me to concerts and clubs (only one of five kids to do so), the Magnavox furniture stereo/radio ... it all added up. It was complex, emotional music. And it had rhythm! I drummed and followed the music through the '60s even as I enjoyed the new musics of my generation.
Along with side-trips to other musicians and music, it's been one hell of a pony ride ever since.