Home » Jazz Articles » Album Review » Patitucci, Colaiuta, Cunliffe: Trio
Patitucci, Colaiuta, Cunliffe: Trio
ByWith no setlist, Cunliffe just called out a tune and off they went. Miles Davis is always a good call and the first one made here. Although written by George Shearing, "Conception" is a tune mostly associated with Davis. Patitucci's thick rich upright established early, Colaiuta brought his nuanced reactions from start to finish, and Cunliffe played as if he had fallen into heaven. There was more improvisation in one song than you often will hear in an entire album. A refined gentlemanly greeting called out softly for the classically mysterious "Laura," while Wayne Shorter's "Ana Maria" is remembered with elegance and uplifting charm. Cunliffe gliding effortlessly through Colaiuta's epitome of musicality and Patitucci's nuanced and savory grooves. "The One Step" emphatically defies the lack of rehearsal with a truly deft conversation. With such magnificent bookends, Cunliffe was as if a kid in the candy store. He gleefully shined, playing very much in the moment. Appreciating Cunliffe's sincere happiness, Patitucci and Colaiuta too were having fun with it.
Then it was time to swing, and wow did they swing. "7 Steps To Heaven" was empowered with high tempo, and the trio at fever, yet controlled, pitch throughout the Miles Davis juggernaut. The tune also featured Colaiuta's masterful drum solo. This one was sizzling, even by his standards. Catching their collective breath with "Good Morning Heartache," the other side of the emotional curve is expanded. The Billie Holiday classic is presented with clear lines and brilliant turns. The trio then goes to the movies with the Harold Arlen and Johny Mercer tune "My Shining Hour." Recorded by many, most notably John Coltrane, here it is reimagined with clever nuances embedded inside intelligent conversation. Thelonious Monk's slightly quirky "We See' is also given quite the makeover with Colaiuta and Patitucci augmenting Cunliffe's every note and detail. Closing in style, the trio celebrates the melodic and rhythmic design of Jule Styne's "Just In Time." While maintaining the tune's sweetness, they bring some gait and high spirits to the mix.
The connectivity heard here belies the fact that Cunliffe had never played with Patitucci or Colaiuta in a trio ensemble. Instead it was the freshness and heightened interplay that was very impactful. It was a conversation well overdue. Blue Note, Prestige, and a few other labels used to make records in a day, if not a few hours, back in the 1950s. That lost art of innate chemistry may resurface after this stellar collaboration. There are organic reactions on Trio that are instinctive, not pre determined. These responses may be gone, or at least sizably altered if rehearsed over and over. Instead they were looking at each other and playfully challenging each other in the moment. Spontaneously was as much at play here as Patitucci, Colaiuta, and Cunliffe.
Track Listing
Conception; Laura; Ana Maria; The One Step; 7 Steps to Heaven; Good Morning Heartache; My Shining Hour; We See; Just in Time.
Personnel
Album information
Title: Trio | Year Released: 2021 | Record Label: Le Coq Records
< Previous
Catching Up On Mostly 2020 Releases
Next >
téchne
Comments
Tags
John Patitucci
Album Review
Jim Worsley
Trio
Le Coq Records
{John Patitucci
Vinnie Colaiuta
Miles Davis
George Shearing
Wayne Shorter
Billie Holiday
Harold Arlen
Johny Mercer
John Coltrane
Jule Style
Concerts
Jun
15
Sat