Long-time readers wanted! All About Jazz needs your help and we have a deal. Contribute $20 and we'll hide those six pesky Google ads that appear on every page for a full year! You'll also fund website expansion.
Inimitable. Stéphane Grappelli was one of a kind. Rather than attempt to imitate him, Didier Lockwood pays tribute in his own way. A love of melody and a keen sense of swing remain as common denominators. Lockwood, however, adds high harmonics, spiritual whistles, unique improvisation and modern harmonic sounds to the performance. The changes are subtle, but they update the music appropriately. Lockwood provides two original compositions along with the program of songs associated with Stéphane Grappelli. Lockwood’s "The Kid" swings with a modern Latin clave flavor, while his "Barbizon Blues" provides a scene for fiery improvisation. Bassist Niels-Henning Ørsted Pedersen and guitarist Biréli Lagrène fill roles as if they were members of the Quintet of the Hot Club Of France. The bassist solos liberally throughout the album, while Lagrène accepts a lesser, supportive role. His feature on Django Reinhardt’s "Minor Swing" dances romantically. Consisting of several slow ballads and mostly up-tempo romps, the session pays homage to a legend respectfully and intelligently.
Track Listing: Les Valseuses; I Got Rhythm; Nuages; Barbizon Blues; All the Things You Are; My One and Only Love; The Kid; Someday My Prince Will Come; Minor Swing; Misty; Pent-Up House; Tears; In a Sentimental Mood; Beautiful Love.
I love jazz because my father shard it with me. I was first exposed to jazz as a kid with Eddie Condon records. I met Warren Covington when I was in College and he was leading the Tommy Dorsey Band. I sat in, and very soon after that began singing with a Big Band in Cleveland
I love jazz because my father shard it with me. I was first exposed to jazz as a kid with Eddie Condon records. I met Warren Covington when I was in College and he was leading the Tommy Dorsey Band. I sat in, and very soon after that began singing with a Big Band in Cleveland. The best show I ever attended was Earl Hines when I was in middle school. My Dad took me. The first jazz record I bought was a Dinah Washington LP. My advice to new listeners is to find artists and composers that are not mainstream. Go outside the box. Please don't just purchase what they are pushing on iTunes.