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Terrence McManus / Mark Helias / Gerry Hemingway: Transcendental Numbers (2011)

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Terrence McManus / Mark Helias / Gerry Hemingway: Transcendental Numbers How we rate: our writers tend to review music they like within their preferred genres.

Guitarist Terrence McManus helms a stellar trio on Transcendental Numbers, through six collective concoctions recorded in New York City's The Stone, straddling and blurring the line between textural improvisation and the more traditional sound of guitar and rhythm section. Brooklyn-born McManus is carving a niche for himself on the scene. Having worked with drummer/composer Tyshawn Sorey
Tyshawn Sorey
Tyshawn Sorey
b.1980
drums
, and performed with fellow guitarist Bill Frisell
Bill Frisell
Bill Frisell
b.1951
guitar
and saxophonist John Zorn
John Zorn
John Zorn
b.1953
sax, alto
, McManus is currently a member of drummer Gerry Hemingway
Gerry Hemingway
Gerry Hemingway
b.1955
percussion
's quintet, and finds his boss returning the favor here.

With an association dating back more than 33 years, the synergy of Hemingway and bassist Mark Helias
Mark Helias
Mark Helias

bass, acoustic
is a wonder to behold. The pair first came together in the orbit of reed man Anthony Braxton
Anthony Braxton
Anthony Braxton
b.1945
reeds
, but they have been featured in each others bands many times since, most notably the cooperative BassDrumBone, along with trombonist Ray Anderson
Ray Anderson
Ray Anderson
b.1952
trombone
. Alongside their vast experience they also wield an armory of extended techniques which they delve into with gusto, making this a set which would also have been fascinating to witness live.

The breadth of unconventional sounds for guitar trio is reminiscent of guitarist Bruce Eisenbeil with Totem> on Solar Forge (ESP, 2008), though the overall ethos is not one of such complete deconstruction. Even though there are passages when there is no hint of tune, melody or meter, there is still a sense of form and trajectory, whether it is the steadily increasing crescendo of "When We First Left The Oceans" or the bell-shaped curve of "The Radio Astronomers." While the threesome flaunts the intensity of a power trio the density is reduced, so there is lots of air in many of the pieces which allows full appreciation of the constituent parts.

At times the bass and drums slip into their regular roles as on "Upperside" where McManus builds a statement of incisive, insistent phrases and broad slashes over a conversational mid-tempo. Likewise on "Junction" mournful horn-like phrasing from the guitar with blues intimations sparks a loose choppy groove from Helias and Hemingway and an impromptu riff from McManus. "Products of Primes" deals in flinty improv with the bassist's sweeping arco prominent, pitched against white noise guitar and thudding percussion, before evolving into a propulsive churn.

Transcendental Numbers shows where the guitar trio might go without totally severing the links to the instrument's vernacular.


Track Listing: Written in the Cracking of the Ice; Upperside; Junction; Products of Primes; The Radio Astronomers; When We First Left The Oceans.

Personnel: Terrence McManus: guitar; Mark Helias: bass; Gerry Hemingway: drums.

Record Label: NoBusiness Records

Style: Fringes of Jazz


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