Home » Jazz Articles » Album Review » Larry Martus: Transcendence

247

Larry Martus: Transcendence

By

Sign in to view read count
Larry Martus: Transcendence
Solo recordings have to overcome extra hurdles in order to maintain listener interest. Single-line instruments like the saxophone tend to have the most difficulty because of their limited timbral range and inability to maintain an independent accompanying line. The piano is naturally the most flexible, allowing independent hands to work, but it also has timbral limitations. The guitar is in between—it can fake true contrapuntal lines, but it also can change its sound through electronics.

With Transcendence, Larry Martus has assembled a beautiful collection of original compositions for solo guitar. For the gearheads out there (meaning most electric guitar players of any stripe), a lot of different equipment was used in this recording. Martus lists a 1967 Gibson ES-335, a 1968 Fender Pro Reverb, and an "old" Fender Stratocaster (with modified electronics, of course) coupled with a 1956 (!) Fender Tremolux and a Roland JC-120 amplifier.

Martus is a gifted player who has transcended technical limitations. More importantly, he is also very sensitive composer, and the pieces here are very delicate, covering a wide range of emotions, but mostly on the introspective and intimate side. The music pulls you in, and you feel like he is playing just for you. Most impressively, Larry Martus has somehow managed to communicate his feelings directly through music.

If you want to listen to his technique, each piece emphasizes something different. Most impressive is his ability to keep a vamp going, or at least the feel of one, while playing a melody or improvisations. Although he does not play a walking bass line, Martus has the Joe Pass pick-plus-finger technique down cold, and he puts it to remarkable use in this music. Actually, his technique tends to fade into the background and serves only to help bring the music to the foreground. There is a lot to listen to from a technical perspective if you want, but then you might miss the music.

And as a musician expressing himself and communicating to the listener, Larry Martus is as good as it gets on Transcendence.

Track Listing

Until Then; Extensions; Quixotism; Adagio; Window of Your Soul; And So It Goes; Song for Christine; Ins and Outs; Soliloquy; Minor Details; Prizm; It

Personnel

Larry Martus: guitar.

Album information

Title: Transcendence | Year Released: 2006 | Record Label: Omnitonic Records


< Previous
Cone's Coup

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Shadow
Lizz Wright
Caught In My Own Trap
Kirke Karja / Étienne Renard / Ludwig Wandinger
Horizon Scanners
Jim Baker / Steve Hunt / Jakob Heinemann

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.