Published since 2003
DC writes regularly about rock and roll, jazz and the blues, composing reviews of CD's, DVD's, live performances, books and films, as well as conducting interviews.
The album is comprised of five songs that Greene and Bluhm co-wrote, and a handful of tunes the guitarist/vocalist composed on his own. Most of the former are, like "Shaky Ground," replete with philosophical musings; allusive but no more penetrating than the musicianship which holds static at mid-tempo as the arrangements proceed. On a track like "Stranger in the Sand," Greene and Bluhm have couched their lyrics in a mix too cushy to work as contrast, or function effectively on its own terms.
It's difficult to know who to hold responsible for the misconceived ideas here, or even whether they're misconceptions at all but simply good ideas poorly executed. It may be a fact that Bluhmwho receives first billing on production creditsand Greene are simply unable to be sufficiently objective about their work with each other. "Medicine" and "Grindstone" elevate the pace discernibly, but there's still an overweening sense of the musicians playing too carefully for their own good, and that of the material. Strains of Farfisa organ on "Spooky Tina" and sitar on "1961" sound calculated, though the narrative of the latter number is the most arresting set of lyrics on the entire album.
Upon hearing the well-tailored arrangements of carefully-crafted music and lyrics rendered with an enervating ease, the title, Till The Light Comes, sounds almost like a disclaimerthough the title song itself has more personality than anything on the album. It's as if Greene believed he had to get all this experiment (sic) out of his system so that he could, sometime in the future, create something more distinctive and proportionately substantial.
Track Listing: Shaky Ground; Stranger In Sand; Medicine; Grindstone; A Moment of Temporary Color; Spooky Tina; 1961; Take Me Back In Time; The Holy Land; Till The Light Comes.
Personnel: Jackie Greene: vocals; guitars, Hammond organ, Vox organ, piano, drums percussion; Tim Bluhm: vocals, guitars; Paul Hoaglin: 12-string bass, bass, guitar; John Hofer: drums, percussion; Greg Loiacono:guitars; Bruce Spencer: bass; Jeremy Plog: bass; David Simon-Baker: vocals, percussion; Dave Brogan: drums, percussion; Kenny Blacklock: violins; Patty Espeseth: cellos; Chris Velan: vocals.
Record Label: 429 Records
Style: Jam Band
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