Home » Jazz Articles » Album Review » The Necks: Three
The Necks: Three
ByThe set begins at a gallop with "Bloom." But Chris Abrahams' piano plays melodically in half time: eventually a synthesizer line becomes more prominent, sometimes in time with the rhythm section, sometimes floating above it. Like many of their improvisations it somehow manages to be busy and static at the same time. "Lovelock" begins sparsely, with Tony Buck's cymbal rolls, piano arpeggios and Lloyd Swanton's bass pedal point. It ebbs and flows (with snare rolls building to climaxes that never quite materialize), and organ chords thicken the texture.
In traditional terms, it is the ballad of the set. "Further" introduces a moderato modal feel, with a calm bass ostinato and melodic piano. The background texture includes organ and guitar. So it is the densest and most varied selection timbrally. A conventional album structure would have swapped "Further" and "Bloom:" moderato, slow, fast. But The Necks are rarely conventional, and Three makes its point in the band's own inimitable way.
Track Listing
Bloom; Lovelock; Further.
Personnel
The Necks
band / ensemble / orchestraChris Abrahams
pianoTony Buck
percussionLloyd Swanton
bass, acousticAlbum information
Title: Three | Year Released: 2020 | Record Label: Northern Spy Records
< Previous
George Garzone: Sax In The City
Next >
Shards and Constellations
Comments
About The Necks
Instrument: Band / ensemble / orchestra
Related Articles | Concerts | Albums | Photos | Similar ToTags
The Necks
Album Reviews
Mark Sullivan
Clandestine Label Services
Three
Northern Spy Records
Chris Abrahams
Tony Buck
Lloyd Swanton