Mike Holober and the Gotham Jazz Orchestra: Thought Trains

There's something about trains, the metronomic, ringing clink-clack of metal wheels on metal track, the fanfare of the whistle, the rhythm and rumble of the coaches being propelled across a countryside. Duke Ellington loved trains, in a day when he and the band used the form of transportion to get from gig to gig. Think of "Take the A Train" and "Track 360." Pianist/arranger/composer Mike Holober loves trains, too, as his second outing as leader attests—the big band set Thought Trains.

Holober put together a group of first call players, including Ron Carter on bass; Tim Ries—recently of Maria Schneider Orchestra fame—on saxophones and clarinet; Charles Pillow (Maria Schneider Orchestra also) on soprano and tenor saxophones and flute and clarinet; and John Riley on drums.

The band—working off of Holober's tunes and arrangements—has a bold, upbeat, almost brash feel to it, right out of the station on the eleven and a half minute "Jump Down, Spin Around," that features no less than four inpired solos—Pat Halloran on trombone; Joe Gordon on alto sax; Scott Wendholt, trumpet; and Tim Ries on soprano sax—in front of the unwaveringly concise rhythm laid down by Carter, Riley and Holober. Brilliantly arranged—I love the way Holober pulls the band back for Tim Ries' soprano solo and rolls on for an interlude with a piano/reed duet.

The title tune murmurs in on a finesse mode, John Riley's shuffling drums leading into a swirling ensemble section followed by Tim Ries cooking tenor sax, with Holober sounding very crisp and succinct behind him.

And so goes the entire set. It's hard to figure why it took so long to come out; Thought Trains was recorded in '96. Probably Holober's fine small ensemble outing, Canyon (Sons of Sound, '03), gave him the pull to get this one out into the light of day. One door opens, another one opens...

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